Doctor Who series 2
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| ShowrunnerTemplate:Pluralize from text | Russell T Davies |
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| No. of stories | 10 |
| No. of episodes | 13 (+1 special) |
| Release | |
| Original network | BBC One |
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| Additional information | |
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The second series of the British science fiction programme Doctor Who was preceded by the Christmas special "The Christmas Invasion" broadcast on 25 December 2005. A regular series of thirteen episodes was broadcast weekly in 2006, starting with "New Earth" on 15 April and concluding with "Doomsday" on 8 July. In addition, two short special episodes were produced; a Children in Need special and an interactive episode, as well as thirteen minisodes titled Tardisodes. It is the second series of the revival of the show, and the twenty-eighth season overall.
It is the first series to feature David Tennant as the tenth incarnation of the Doctor, an alien Time Lord who travels through time and space in his TARDIS, which appears to be a British police box on the outside. The Doctor continues to travel with his companion Rose Tyler (Billie Piper), with whom he has grown increasingly attached. They also briefly travel with Rose's boyfriend Mickey Smith (Noel Clarke), and Rose's mother Jackie (Camille Coduri). The series is connected by a loose story arc consisting of the recurring word "Torchwood". This is also the first series to be preceded by a Christmas special, the success of "The Christmas Invasion" led to the Christmas special becoming an annual tradition.
The Cybermen were reintroduced with a new origin story set in a parallel universe.[1] In the "Rise of the Cybermen" and "The Age of Steel" two-part story, the Doctor and his companions crash land in a parallel London where the Cybermen are being created on modern-day Earth. The Cybermen reappear in the 2006 two-part finale "Army of Ghosts" and "Doomsday", exploiting a breach between universes to invade the Doctor's Earth.
Russell T Davies returned as the head writer for the series. The production of all episodes was overseen by Phil Collinson, while Julie Gardner took on the role of executive producer. The musical score was composed by Murray Gold. Most of the filming was conducted in Cardiff, Wales. The critical reception was overwhelmingly positive, with the series garnering acclaim for its writing, themes, performances, and production values, culminating in multiple awards, including five accolades at the BAFTA Cymru Awards.
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Episodes
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Supplemental episodes
Two mini-episodes were also recorded: "Doctor Who: Children in Need" was produced for the 2005 Children in Need appeal,[2] and interactive episode "Attack of the Graske" was recorded for digital television following the broadcast of "The Christmas Invasion".[3][4] Script error: No such module "Episode table".
Tardisodes
Thirteen Tardisodes, ranging from lengths of 40–55 seconds, were produced to serve as prequels to each episode. All episodes were filmed as part of the second series' production cycle.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.
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Casting
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Main characters
Series 2 was Tennant's first in the role of the Doctor; his casting was announced on 16 April 2005.[6][7][8] Following his brief appearance in the closing moments of "The Parting of the Ways" he was next seen in the Children in Need special, broadcast on 18 November 2005. "The Christmas Invasion", broadcast one month later, marked his first episode.[9] In 2005, Tennant had starred in Casanova, written by Russell T Davies and produced by Julie Gardner, when he was offered an audition as the Doctor, which surprised him as it had not yet been publicly announced that Christopher Eccleston would not be returning to the role. He was offered the role at Davies's home, and was initially concerned that if the series was not recommissioned he would become known as "the person who played the Doctor for 35 seconds".[10]
Billie Piper continued her role as companion Rose Tyler, for her second and final series.[11] Piper departed as a regular following "Doomsday".[12] She would return as a regular in the 2008 series,[13][14] and in a cameo in "The End of Time".[15] She later explained that her decision was due to the unexpected success of the revival. Piper said that she "didn't like the responsibility of being a role model".[16][17]
Guest stars
Camille Coduri continued to guest in the series as recurring character Jackie Tyler.[18][19][20] Shaun Dingwall returned for several episodes as Pete Tyler and Penelope Wilton reprised her role as Harriet Jones for the Christmas special.[21][22] Noel Clarke's character Mickey Smith, a recurring guest character during the first series, featured in several episodes as a companion of the Doctor.[23] Zoë Wanamaker reprised her role as Cassandra from "The End of the World".
Elisabeth Sladen featured in the episode "School Reunion", returning to the character of Sarah Jane Smith, companion of the Third and Fourth Doctors.[24][25] Following this episode, Sladen was asked to reprise her role in a spin-off series titled The Sarah Jane Adventures.[26] John Leeson also featured in this episode as the voice of K9.[24]
Other guest stars included Adam Garcia, Anita Briem, Sean Gilder, and Daniel Evans in "The Christmas Invasion";[27] Anna Hope and Adjoa Andoh in "New Earth";[28][29] Ian Hanmore in "Tooth and Claw"; Anthony Head in "School Reunion";[25] Sophia Myles and Ben Turner in "The Girl in the Fireplace; Roger Lloyd-Pack, Andrew Hayden-Smith, and Don Warrington in "Rise of the Cybermen" / "The Age of Steel",[30] Rory Jennings, Jamie Foreman, Ron Cook, Margaret John, and Maureen Lipman in "The Idiot's Lantern",[31][32][33] Claire Rushbrook, Danny Webb, Shaun Parkes, Silas Carson, and MyAnna Buring in "The Impossible Planet" / "The Satan Pit";[34] Marc Warren, Shirley Henderson, and Peter Kay in "Love & Monsters"; Nina Sosanya in "Fear Her";[35] and Tracy-Ann Oberman, Raji James and Barbara Windsor in "Army of Ghosts" / "Doomsday".[36][37] Freema Agyeman, who appeared briefly in "Doomsday", would later return to co-star as Martha Jones in the following series.[38][28] Andoh returned for Series 3 but was recast as Martha's mother.[28] Pauline Collins, who appeared in "Tooth and Claw" as Queen Victoria, had previously appeared in The Faceless Ones (1967) as Samantha Briggs[39][40] and Gabriel Woolf, who appeared as the voice of The Beast in "The Impossible Planet" / "The Satan Pit", had previously appeared in Pyramids of Mars (1975) as Suktekh, a role he would reprise 18 years following this appearance in the 2024 episodes "The Legend of Ruby Sunday" / "Empire of Death". Nicholas Hoult was considered for the role that went to Jennings.[31]
Production
Development
Following the success of the opening episode of the first series, the BBC announced that Doctor Who had been recommissioned for both a second series and a Christmas special on 30 March 2005.[42] The series was the first series of Doctor Who to be preceded by a Christmas special.[43] The success of the Christmas special led to it becoming an annual tradition.[44] Production on the series began on 1 August 2005 and concluded on 31 March 2006.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. Phil Collinson produced all episodes, with Julie Gardner acting as executive producer.[45]
Writing
Russell T Davies continued to act as head writer and executive producer, contributing several episodes of the series.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. New writers for the show included Toby Whithouse,Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. Tom MacRae,Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. Matt Jones,Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. and Matthew Graham.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. Returning writers Mark Gatiss and Steven Moffat also contributed episodes to the series.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. Stephen Fry was due to write the eleventh episode, but was forced to withdraw as he could not complete the script in time.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.[46][47] Davies consequently hired Graham, who he had been trying to hire for series three, to write "Fear Her".Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. The villain of the episode "Love & Monsters", the Abzorbaloff, was designed by the winner of a Blue Peter contest.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.
"The Runaway Bride", which was supposed to be the midway point of the original line-up, was moved early on to be the Christmas special for the next series, and was replaced by "Tooth and Claw", which had its roots in a story about "Queen Victoria and a werewolf", something Davies had been contemplating since 2004.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. The order of the first few episodes moved around a bit while being written, and were only finalised after the early scripts were partially done, in order to find the best way to develop Tennant's Doctor, especially for those viewers confused by the regeneration.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.
The series is primarily set on Earth (though not as much as the first series was) due to the cost involved in creating another planet, Davies stated; only two stories were set on another planet.[48] However, the team had learnt from the first series about the specific challenges faced by a sci-fi series; instead of last-minute changes to reduce CGI, plots were written in mind to use shots needing less CGI: gardens and concrete plazas, such as those employed in the then-recently released Battlestar Galactica show, which allowed an equitable budgetary distribution between stories.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. The second series came about quite differently from the first, not having to present every single detail to the BBC: discussions and plot changes happened as much in coffeehouses and on phone as it did in writing, and therefore the first outline had much more detail than the first series, allowing for a more connected series.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.
Just like the first series, the second series saw the return of another classic enemy, the Cybermen. Presented with the opportunity to re-introduce Cybermen to a whole new generation, Davies' prime objective for these Cybermen was to erase the word "silver" and to instead choose to stress the terms "metal" and "steel", emphasising the loss of their humanity as a source of their monstrosity.[49]
The mythology of Torchwood is built across the series, though it did not feature in any of the early outlines or drafts for series 2 until its reveal in the finaleLua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.[50] even though it had first appeared in the 2005 episode "Bad Wolf".[51] In "The Christmas Invasion", it is revealed to be a secret organisation which possesses alien technology,[52] and its establishment is shown in "Tooth and Claw", whose late addition to the series allowed Davies to fix it in British history by associating it with Queen Victoria .[50]Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. References then gradually started appearing in the script of every episode: blocked websites, mentions of buildings and archives owned by Torchwood and so on.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. Contemporary Torchwood is finally visited by the Doctor and Rose in "Army of Ghosts" / "Doomsday", at which point it is situated within London's Canary Wharf and accidentally allows the invasion of the Cybermen and, subsequently, the Daleks.[50]
Filming
The series was directed by James Hawes,Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. Euros Lyn,[53] James Strong,[54][55] Dan Zeff,[56] and Graeme Harper.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. Harper had previously worked on the show's original run, which included directing The Caves of Androzani (1984) and Revelation of the Daleks (1985) in the show's original run.[54]Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.[57]
Recording for the Christmas special began on 23 July 2005.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.[58] The Clearwell Caves were used twice: the interior of the Sycorax ship, and the Beast's Pit in "The Satan Pit".Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.[59] Production blocks were scheduled around the directors.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. The majority of filming took place in Wales,[59] particularly in Cardiff.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. Parts of "New Earth" were shot at the Wales Millennium Centre, which was used during promotion of the series.[60][59] "Tooth and Claw" was originally part of block one, but production issues pushed it to block two.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. The episode was shot in Llansannor Court. The building was later reused for "The Unicorn and the Wasp".[59] "The Girl in the Fireplace" used the Dyffryn Gardens for both the gardens and palace of Louis XV. The gardens were used for various other episodes, including "Deep Breath" and "The Wedding of River Song".[59]
A Stella Artois brewery was used for the upgrading chamber in "Army of Ghosts".Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. The Coedarhydyglyn House was used for Jackie and Pete's mansion in the episode. The house was later used in "The Angels Take Manhattan".[59] Southerndown Beach was used for the beach where the Doctor and Rose say goodbye in "Doomsday". The beach was later reused in "Dinosaurs on a Spaceship".[59] The first two weeks of filming on block four were spent entirely on "Fear Her".Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. Maureen Lipman appeared in "The Idiot's Lantern", but due to scheduling conflicts, recorded her scenes remotely in London. Lipman finished her recording in under a day.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. Block six, the final block, contained only one episode, "Love & Monsters", which was directed by Zeff.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.
Production blocks were arranged as follows:Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.
| Block | Episode(s) | Director | Writer(s) | Producer(s) | Code |
|---|---|---|---|---|---|
| 1 | Christmas special: "The Christmas Invasion" | James Hawes | Russell T Davies | Phil Collinson | 2X |
| Episode 3: "School Reunion" | Toby Whithouse | 2.3 | |||
| Episode 1: "New Earth" | Russell T Davies | 2.1 | |||
| 2 | Episode 2: "Tooth and Claw" | Euros Lyn | 2.2 | ||
| Episode 4: "The Girl in the Fireplace" | Steven Moffat | 2.4 | |||
| 3 | Episode 5: "Rise of the Cybermen" | Graeme Harper | Tom MacRae | 2.5 | |
| Episode 6: "The Age of Steel" | 2.6 | ||||
| Episode 12: "Army of Ghosts" | Russell T Davies | 2.12 | |||
| Episode 13: "Doomsday" | 2.13 | ||||
| Minisode: "Attack of the Graske" | Ashley Way | Gareth Roberts | Jo Pearce, Sophie Fante & Andrew Whithouse | Template:Screen reader-only | |
| Minisode: "Doctor Who: Children in Need" | Euros Lyn | Russell T Davies | Phil Collinson | CIN | |
| 4 | Episode 11: "Fear Her" | Matthew Graham | 2.11 | ||
| Episode 7: "The Idiot's Lantern" | Mark Gatiss | 2.7 | |||
| 5 | Episode 8: "The Impossible Planet" | James Strong | Matt Jones | 2.8 | |
| Episode 9: "The Satan Pit" | 2.9 | ||||
| 6 | Episode 10: "Love & Monsters" | Dan Zeff | Russell T Davies | 2.10 |
Soundtrack
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{{#section:Doctor Who series 1|soundtrackInfobox}}Murray Gold returned to compose the music for the second series.[61] Parts of the soundtrack were performed by the BBC National Orchestra of Wales and orchestrated by Ben Foster, unlike in the first series, which relied almost completely on orchestral samples.[62][63]
{{#section:Doctor Who series 1|soundtrack}}
Release
Broadcast
The second series premiered on 15 April 2006 with "New Earth", and concluded after thirteen episodes on 8 July 2006 with "Doomsday".Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. Doctor Who Confidential also aired alongside each episode of the series, continuing on from the previous series.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.
A Children in Need special and an interactive episode, entitled "Attack of the Graske", were both released alongside the series.[3] A series of thirteen Tardisodes were also produced.[4] These mini-episodes (approximately 60 seconds in length) served as prequels to each forthcoming episode, and were available for download to mobile phones and viewable at the official Doctor Who website. The Tardisodes were recorded intermittently from 31 January to 8 April 2006.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.
Downloads of the Tardisodes to mobile telephones were less popular than expected: around 40,000 downloads, averaging 3,000 per episode.[64] Downloads to personal computers were much more common, with 2.6 million downloads.[65] Iain Tweedale, new media editor for BBC Wales, suggested two reasons for the low number of telephone downloads: although the BBC provided the episodes free, most users had to pay a fee to their mobile network, and many telephones were not compatible with the broadcasts.[64]
In the United States, the second series aired on The Sci Fi Channel (now known as SyFy).[66][67] In Canada, the series aired through the Canadian Broadcasting Corporation. The corporation won a Constellation Award for their assistance and contributions to the series.[68] In France, the series aired on France 4.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.
Promotion
The press launch for the series began on 27 March at the Wales Millennium Centre.[60] A special trailer for the series was produced by Red Bee Media. The trailer included both clips from the series and special footage shot for it.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. Various episodes received screening prior to their official release, including a Glasgow-based screening for "Tooth and Claw" and a Cardiff-based one for "The Christmas Invasion".Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.
The promotion of the second series also took other forms: interviews with cast and crew on such prestigious channels like BBC1 and ITV1;Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. rumours and reports and the occasional interview in tabloids and newspapers such as The Independent, The Sun, The Daily Mirror, The Sunday Herald and so on;Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. discussions about the series, sometimes with the crew, on Radio 1, Virgin Radio, Radio 4, and Radio Wales.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.
The BBC promoted the series using their various holdings: CBBC used the theme with the broadcast of their programme,Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. fictional websites, such as those of Mickey and UNIT, were updated before the associated episodes,Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. the real website saw the release of mini-episodes of 2-3 mins, called Tardisodes,Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. as prologues for every episode, along with the rare banner using in-universe references to ask viewers to check out the current episode.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.
The major promoter for the series, aside from the BBC, was Radio Times: they released their first programme-specific Christmas double issue in 16 years, instead of the usual generic issue, for the release of The Christmas Invasion,Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. a special section called "Doctor Who Watch",Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. and covers and interviews with cast and crew throughout the run of the series.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.
Home media
Script error: No such module "Labelled list hatnote".The second series of Doctor Who was first released on DVD in five volumes, with the first volume being released in Region 2 on 1 May 2006 and the final volume on 25 September 2006. The five volumes were also released in Region 4, invariably two months after the Region 2 release. The entire series was subsequently released in a boxset on 20 November 2006 in Region 2. {{#lst:List of Doctor Who home video releases|Series2}}
In print
Script error: No such module "Labelled list hatnote". "The Christmas Invasion" was adapted into a novel by Jenny Colgan. The novel was subsequently produced as an audio book, narrated by Camille Coduri.[69] {{#lst:List of Doctor Who novelisations|Series2}}
Reception
Ratings
The second series of Doctor Who was watched by an average of 7.5 million viewers, which was slightly down from the previous series, which was watched by 7.9 million viewers.[70] Doctor Who's first Christmas special, "The Christmas Invasion", was watched by 9.84 million viewers upon its premiere on 25 December 2005,[71][72] and, as of 2010, was the ninth-highest figure for an episode of Doctor Who since its 2005 revival.[73] The series' finale "Doomsday" was watched by 8.2 million total viewers,[71] beating a World Cup match between Portugal and Germany by over a million viewers.[74] The series high was "Tooth and Claw" with 9.24 million viewers, while the series low was "The Satan Pit" with 6.08 million viewers.[71]
The series finale, "Doomsday", garnered the highest Appreciation Index (AI) rating of 89,Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. while the tenth episode in the series, "Love & Monsters", garnered the lowest AI rating, at 76,Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. seven units lower than the second-lowest AI rating. The US release of the series averaged a household rating of 1.05 million viewers.[67]
Critical reception
Doctor WhoTemplate:'s second series received acclaim and positive reviews from critics.[75][76] Series 2 holds a 100% approval rating on Rotten Tomatoes with an average score of 9/10, based on eight critic reviews.[77] Many considered the finale "Doomsday" one of the best episodes[78][76][79] and "Fear Her" one of the worst,[80][81] with one reviewer calling the series full of intense highs for both the characters and the plot.[78] Critics praised the Tennant and Piper's performance and romantic tension.[82][83][84][85] The series' CGI, the Torchwood reveal, and use of cliffhangers also received praise,[78][82][86][87] as did Murray Gold's soundtrack, the series' dynamic nature, and the varying settings.[76]
Reviewing the two-part finale, Slant MagazineTemplate:'s Ross Ruediger and The A.V. ClubTemplate:'s Alasdair Wilkins both found the first part intense with "a great cliffhanger", with Wilkins additionally stating it was not afraid of dealing with "some large thematic questions". However, Ruediger characterised the second part as being "full of fanboy silliness", and Wilkins criticised it for how fast the situation changes with the arrival of the foes, a direct results of human interference, stating the show seems "incapable of placing the Doctor in a morally ambiguous situation". Though finding the episode "dramatic" and "soulful", they both concluded that, for a Doctor Who story, humans are mere supporting characters, with a narrative that Wilkins found "requires the Doctor to be the hero".[78][87] However, they both still found the finale enjoyable: Wilkins calling it "supremely entertaining television", and Ruediger stating "it makes no attempts to play by any rules other than its own" and provides a "gut-wrenching farewell" for Rose.[78][87]
The finale was characterised by IGNTemplate:'s Ahsan Haque as "an intense epic" still being "led by character-driven drama",[79] and by Radio TimesTemplate:'s Mark Braxton as a story where the strength of the show's two biggest foes combined is contrasted with "a poignant story about loss".[76] In addition, IGNTemplate:'s Haque, while finding "the denouement to be the clear emotional highlight", also found the dialogue "funny and witty" and adding to "the memorability of the finale". Together with "the great writing and beautiful acting", he called it more entertaining than entire seasons of many shows and "sci-fi television at its finest".[79] Similarly, Radio TimesTemplate:'s Braxton praised the show for finding "ways to think big" since its revival while also sometimes delivering on this scale "with such devastating intimacy".[76]
Screen RantTemplate:'s Edward Cleary ranked the series sixth of thirteen, and felt the chemistry between Tennant and Piper—one of Doctor WhoTemplate:'s best duos—overshadowed any problems; he described "The Impossible Planet" / "The Satan Pit" as one of the "best two-parters ever".[75] In 2021, Comic Book ResourcesTemplate:'s Gabriela Delgado noted the series was the second-highest rated on IMDb of Doctor WhoTemplate:'s modern run, behind only the fourth. Delgado praised "Doomsday" as "heart wrenching" and "tragic".[88] Digital SpyTemplate:'s Morgan Jeffery and Rebecca Cook ranked the series fourth, praising Tennant's performance; they believed the series brought new levels of success by increasing the show's popularity and securing its future.[89] Den of GeekTemplate:'s Andrew Blair placed the series nineteenth overall, the lowest of Tennant's run, and believed it was a "comedown" in quality from its predecessor.[90]
Awards and nominations
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| Year | Award | Category | Nominee(s) | Result | Ref(s) |
|---|---|---|---|---|---|
| 2006 | BAFTA Cymru Awards | Best Actor | David Tennant for "Doomsday" | Won | [91][92] |
| Best Screenplay | Russell T Davies for "Doomsday" | Won | |||
| Best Actress | Billie Piper for "Doomsday" | Nominated | |||
| Best Costume | Louise Page | Won | |||
| Best Make-up | Neill Gorton and Sheelagh Wells for "The Girl in the Fireplace" | Won | |||
| Best Editor | Crispin Green for "Tooth and Claw" | Won | |||
| Nebula Awards | Nebula Award for Best Script | Steven Moffat for "The Girl in the Fireplace" | Nominated | [93] | |
| Royal Television Society Programme Awards | Best Drama Series | Doctor Who | Nominated | [94][95] | |
| Best Production Design | Edward Thomas | Nominated | |||
| Best Costume Design – Drama | Louise Page | Nominated | |||
| Best Make Up Design – Drama | Neill Gorton and Sheelagh Wells | Nominated | |||
| Best Visual Effects – Digital Effects | Doctor Who | Nominated | |||
| Scream Award | Best TV Show | Doctor Who | Nominated | [96] | |
| TV Quick | Best Loved Drama | Doctor Who | Won | [97] | |
| Best Actor | David Tennant | Won | |||
| Best Actress | Billie Piper | Won | |||
| 2007 | British Academy Television Awards | Best Editing Fiction/Entertainment | Crispin Green | Nominated | [98] |
| Best Visual Effects | The Mill | Nominated | |||
| Constellation Awards | Best Science Fiction Television Series | Doctor Who | Won | [68] | |
| Best Male Performance in a 2006 Science Fiction Television Episode | David Tennant for "The Girl in the Fireplace" | Won | |||
| Outstanding Canadian Contribution to Science Fiction Film or Television in 2006 | Canadian Broadcasting Corporation | Won | |||
| Hugo Awards | Hugo Award for Best Dramatic Presentation | "The Girl in the Fireplace" | Won | [99] | |
| "School Reunion" | Nominated | ||||
| "Army of Ghosts" / "Doomsday | Nominated | ||||
| National Television Awards | Most Popular Drama | Doctor Who | Won | [100] | |
| Most Popular Actor | David Tennant | Won | |||
| Most Popular Actress | Billie Piper | Won | |||
| Saturn Awards | Best Syndicated/Cable Television Series | Doctor Who | Nominated | [101] | |
| Best Television DVD Release | Doctor Who | Nominated | [102] | ||
| Visual Effects Society Awards | Outstanding Performance by an Animated Character in a Live Action Broadcast Program, Commercial, or Music Video | Nicholas Hernandez, Jean-Claude Deguara, Neil Roche and Jean-Yves Audouard for "Tooth and Claw" | Nominated | [103] |
Notes
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