Adaline Kent

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Adaline Kent
Born
Adaline Dutton Kent

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Kentfield, California, United States
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Marin County, California, United States
Other nameTemplate:Pluralize from textAdaline Kent Howard
EducationGrande Chaumiere
Alma materVassar College, San Francisco Art Institute
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Known forSculpture
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LabelTemplate:Pluralize from textTemplate:Pluralize from text
StylePost-war California Modernism
OpponentTemplate:Pluralize from textTemplate:Pluralize from text
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SpouseTemplate:Pluralize from textRobert Boardman Howard (m. 1930–1957; death)Template:Pluralize from text
PartnerTemplate:Pluralize from textTemplate:Pluralize from text
Children2
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Adaline Dutton Kent (August 7, 1900 – March 24, 1957) also known as Adaline Kent Howard, was an American sculptor from California. She created abstract sculptures with forms inspired by the natural landscape.

Early life and education

Kent was born on August 7, 1900[1] in Kentfield, California, one of seven children of women's rights activist Elizabeth Thacher Kent and U.S. congressman William Kent.[2][3] Her grandfather, Albert Emmett Kent, had purchased an 800-acre farm in 1871, which later became the town of Kentfield.[3]

She began her education at Vassar College before returning to the Bay Area to study at the California School of Fine Arts.[4] She studied in Paris with Antoine Bourdelle at the Grande Chaumiere.[5] She married Robert Boardman Howard on August 5, 1930, after they worked together on the Pacific Stock Exchange building, a Miller and Pflueger architecture firm project.[6] They had two daughters, Ellen (May 1931 – Oct 1987)[7] and Galen (born April 1933).[6][8]

Work

The first fifteen years of her career her art focused on the human body. She loved the fact that sculpting the human body offered anyone to have their own personal interpretation to the craft. According to Kent, there is no awkwardness to the human body and its representation is not subjective to anyone other than the creator.[9][non-primary source needed] Kent also felt comfortable with taking ideas from the human form because our bodies are familiar and easy to shape into various artistic position. This foundation in the form of the human body led her to discover her true passion of creating works of art that dealt with the flow of nature.

Kent loved to hike and explore various trails in the Sierra Mountains.[9] Kent found a lot of influence from the rock formations in the Sierra Nevada Mountains. In her travels Kent was able to find the meditation that influenced her use the ideas of others in her art. She ventured outside of the human form and into more three-dimensional curved form that left her art to interpretation. Kent also found influence in mountain formations, she explored the way gravity works with a few sketches. Her most notable sketch “Song” was made in 1945 and centered on the Sierra Nevada Mountains and the music of nature. Kent also made sculptures from various material such as seashells, driftwood, and crystals. Adaline Kent felt that “works of nature are one with works of art”.

Kent also took influence from primitive resources that originated in other cultures. She admired certain artworks from witchcraft and spiritual customs. According to Kent they represented a great deal of mystery and left interpretation up to the imagination. She was able to identify how shapes can carry certain meanings. The sharper edges an object might have, the more emotion it might trigger. The more a sculpture had rounder, smoother edges the more relaxed an individual might feel. Her sculptures remain an important part of surrealist and modern art because of her eye of interpreting the world and its forms. To Kent sculpting was an adventure into the unknown with meaning being attached to personal vision.[9]

Golden Gate International Exposition

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File:Islands of the Pacific sculpture 1, Treasure Island.jpg
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Islands of the Pacific sculptures for the Golden Gate International Exposition

During the Golden Gate International Exposition on Treasure Island in San Francisco Bay (1939–1940), Kent produced three sculptures that were part of a group of twenty located around the Fountain of Western Waters. The sculptures and fountain were part of the "Court of Pacifica," a landscaped court designed by architect Timothy Pflueger, representing the fair's theme of "Pacific Unity." Pacifica, designed by Kent's teacher, sculptor Ralph Stackpole, was an 80 foot "goddess of Pacific Unity" at the head of the court. The cast stone statues were designed in groups to represent four different geographical areas of the Pacific: North America, South America, Asia and the Pacific Islands. Kent's group represented three young people from the South Pacific. In 1941 the US Navy took control of Treasure Island and over time, dismantled many buildings, courtyards and gardens of the exposition. During the dismantling of the Fountain of Western Waters in 1942, four of the sculptures on the fountain were destroyed or have otherwise disappeared, including one by Kent. In approximately 1991 the Navy moved ten of the surviving statues into storage and had six of them repaired, preserved and placed on display at the front of Building One, a public building, on Treasure Island. As of March 2022, two of Kent's sculptures remain on display in front of Building One.[10]

Death and legacy

On March 24, 1957, Kent died in an accident while driving on the Pacific Coast Highway in Marin County.[11]

Adaline Kent was an alumna and a former board member (1947–1957) of the San Francisco Art Institute, and left it $10,000 to establish an annual award for promising artists from California. The prize was awarded from 1957 to 2005. Winners included Ron Nagle (1978), Wally Hedrick (1985), David Ireland (1987),[12] Mildred Howard (1991), Clare Rojas (2004),[13] and the last recipient, Scott Williams (2005).[14]

Exhibitions

Solo exhibitions

Group exhibitions

Further reading

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Library resources about
Adaline Kent
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  • Kent, Adaline Dutton. Autobiography from the notebooks and sculpture of Adaline Kent (Houston: Gulf Printing Co, 1958).

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References

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  1. ^ Page Module:Citation/CS1/styles.css has no content.Vicennial Record of the Class of 1887 in Yale College. Connecticut: Marigold-Foster Printing Company. 1909. pp. 131. Retrieved November 7, 2014. Adaline Dutton Kent Hopkins.
  2. ^ Page Module:Citation/CS1/styles.css has no content.Sherman, Thomas Townsend (1920). Sherman Genealogy Including Families of Essex, Suffolk and Norfolk, England: Some Descendants of the Immigrants, Captain John Sherman, Reverend John Sherman, Edmund Sherman and Samuel Sherman, and the Descendents of Honorable Roger Sherman and Honorable Charles R. Sherman. New York, NY: T. A. Wright. pp. 365. Adaline Dutton Kent.
  3. ^ a b Page Module:Citation/CS1/styles.css has no content."Greenbrae and Kentfield - Overview". Realty Of Marin. Archived from the original on November 6, 2014. Retrieved November 6, 2014.
  4. ^ Page Module:Citation/CS1/styles.css has no content."Adaline Kent". lagunaartmuseum.org. Archived from the original on 2016-03-27. Retrieved 2016-03-19.
  5. ^ a b Page Module:Citation/CS1/styles.css has no content.Carlson, David J. "Adaline Dutton Kent (1900 - 1957)". AskArt. Retrieved November 7, 2014.
  6. ^ a b Page Module:Citation/CS1/styles.css has no content."California Art Research: John Galen Howard, Robert Boardman Howard, Charles Houghton Howard, Adaline Kent, Jane Berlandina". Internet Archive. San Francisco Public Library. Retrieved November 7, 2014.
  7. ^ Page Module:Citation/CS1/styles.css has no content."HOWARD, KENT". SF Genealogy. October 13, 1987. Retrieved November 7, 2014.
  8. ^ Page Module:Citation/CS1/styles.css has no content.McCann-Morley, Grace L. (2012). "Adaline Kent". Rehistoricizing The Time Around Abstract Expressionism. Retrieved November 5, 2014.
  9. ^ a b c Page Module:Citation/CS1/styles.css has no content.Kent Adaline (1958). Autobiography from the notebooks and sculpture of Adaline Kent. Houston, Texas: The Gulf Printing Co. OCLC 609526717.
  10. ^ Page Module:Citation/CS1/styles.css has no content."Pacific Unity Sculptures". Treasure Island Museum. Archived from the original on August 14, 2024. Retrieved January 27, 2025.
  11. ^ Page Module:Citation/CS1/styles.css has no content."Auto Hits, Kills Planner in SF". Daily Review (Newspaper). December 24, 1958. Retrieved November 7, 2014.
  12. ^ Page Module:Citation/CS1/styles.css has no content.David Ireland - gallery as place : Adaline Kent Award exhibition. San Francisco Art Institute. 1987. Retrieved 2016-01-15. {{cite book}}: |website= ignored (help)
  13. ^ Page Module:Citation/CS1/styles.css has no content.Cobb, Chris (September 20, 2007). "Art Review: Clare Rojas: P.S. Hurray!!". Gallery Paule Anglim. Archived from the original on 2015-09-24. Retrieved November 6, 2014.
  14. ^ Page Module:Citation/CS1/styles.css has no content."Scott Williams at the SF Art Institute". Stencil Archive. Happy Feet Design. June 14, 2005. Retrieved November 6, 2014.
  15. ^ Page Module:Citation/CS1/styles.css has no content.Heller, Jules; Heller, Nancy G. (2013). North American Women Artists of the Twentieth Century: A Biographical Dictionary. New York, New York: Routledge. ISBN 978-1135638894.
  16. ^ Page Module:Citation/CS1/styles.css has no content."Collection: Adaline Kent". The Museum of Modern Art (MoMA). Retrieved 2019-03-04.
  17. ^ Dalkey, Victoria (March 12, 1995). "California through surrealism's eyes". The Sacramento Bee. p. 156, 157. Retrieved 2025-07-29.
  18. ^ Page Module:Citation/CS1/styles.css has no content."Alison Gass on Adaline Kent's Presence". SFMoMA. 2010. Retrieved 2019-03-04.

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