Adolfo Celi

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Adolfo Celi
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Celi in La mala ordina (1972)
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Siena, Tuscany, Italy
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  • Actor
  • singer
Years active1946–1985
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(m. 1951; div. 1962)
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Marília Branco
(m. 1963, divorced)
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(m. 1966)
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Children2, including Alessandra
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Adolfo Celi (Script error: No such module "IPA".; 27 July 1922 – 19 February 1986) was an Italian film actor and director.[1] Born in Curcuraci, Messina, Sicily, Celi appeared in nearly 100 films. Although a prominent actor in Italian cinema and famed for many roles, he is best remembered internationally for his portrayal of Emilio Largo in the 1965 James Bond film Thunderball.[2] Celi later spoofed his Thunderball role in the film OK Connery (aka Operation Double 007) opposite Sean Connery's brother, Neil Connery.[3]

Life and career

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Celi became a film actor in post-war Italy. He left the Italian film industry when he emigrated to Brazil where he co-founded the Teatro Brasileiro de Comédia along with the Brazilian stage greats Paulo Autran and Tônia Carrero in São Paulo.[4] He was successful as a stage actor in Argentina and Brazil. He directed three films in South America in the 1950s, including the Brazilian hit Tico-Tico no Fubá in 1952.

Celi began a new popular career when he played the villain in Philippe de Broca's That Man from Rio,[5] selected by de Broca on location in Rio de Janeiro. The popularity of the film led him to be cast as camp commandant Battaglia opposite Frank Sinatra and Trevor Howard's Allied POWs in the 1965 Second World War escape drama Von Ryan's Express. This led him to his most well-known role as Largo in Thunderball. He is also known to international audiences as Ralph Valmont, one of the villains in the Mario Bava action thriller Danger: Diabolik and the celebrated Fernando Di Leo's poliziottesco film Hired to Kill (La mala ordina, 1972) as Don Vito Tressoldi. Celi was considered for the part of Don Vito Corleone in The Godfather, which ultimately went to Marlon Brando.[5]

Celi appeared as a protagonist in some Italian comedies, including Amici Miei and Brancaleone alle Crociate and did some television work, notably in mini-series Petrosino (1972), portraying the legendary Italian-American cop, and as the ruthless aristocrat, the Baron of Carini in another very popular mini-series, La Baronessa di Carini (1975).

In addition to his native languages Sicilian and Italian, Celi was fluent in several languages, including English, Spanish, French, German and Portuguese. Despite his proficiency in English, his heavy Sicilian accent meant that he was usually dubbed when he appeared in English language films; however, he was not dubbed in the 1981 BBC serial The Borgias, in which Celi played Rodrigo Borgia, with his thickly-accented English difficult for certain TV critics and viewers to understand.[6]

Personal life and death

Celi was married three times, including with Brazilian Tônia Carrero and Romanian Veronica Lazăr. His daughter Alessandra Celi, born to Lazăr, is also an actress. He died of a heart attack in Siena, Tuscany, in 1986.

Filmography

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References

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  1. ^ Page Module:Citation/CS1/styles.css has no content."Adolfo Celi". Movies & TV Dept. The New York Times. 2013. Archived from the original on 7 November 2013.
  2. ^ Page Module:Citation/CS1/styles.css has no content.Crowther, Bosley (22 December 1965). "Thunderball (1965) Screen: 007's Underwater Adventures:Connery Plays Bond in 'Thunderball'". The New York Times.
  3. ^ Page Module:Citation/CS1/styles.css has no content.Crowther, Bosley (23 November 1967). "O K Connery (1967) Screen: Mr. Kennedy and Mr. Reagan: New Cinema Playhouse Changes Its Fare Picture Makes a Case for the Californian 'Operation Kid Brother'". The New York Times.
  4. ^ p.xxviii Sheren, Paul The Portuguese and Brazilian Theatre Motley Books, 1974
  5. ^ a b Page Module:Citation/CS1/styles.css has no content.Appleyard, Bryan (10 October 1981). "From Thunderball to the Vatican". The Times. No. 61052. p. 11.
  6. ^ Borgias, The (1981) BFI Screenonline.
  7. ^ Page Module:Citation/CS1/styles.css has no content.Adler, Renata; Thompson, Howard (21 February 1968). "Movie Review". The New York Times.

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