Barbara Comyns

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Barbara Comyns
Born
Barbara Irene Veronica Bayley

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Bidford-on-Avon, Warwickshire, England, UK
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Stanton upon Hine Heath, Shropshire, England, UK
Occupationwriter, artist
GenreEnglish literature
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    John Francis Pemberton
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    ​
    (m. 1931, divorced)​
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    Richard Strettell Comyns Carr
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    (m. 1945)​
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Children2

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Barbara Irene Veronica Comyns Carr (born Barbara Irene Veronica Bayley; 27 December 1907[1][2] – 14 July 1992), known as Barbara Comyns, was an English writer and artist.

Early life

Born in Bidford-on-Avon, Warwickshire, to Margaret Eva Mary (née Fenn) and Albert Edward Bayley, Comyns was the fourth of six children. The family home was Bell Court, a manor on the banks of the River Avon.[1] Her father was a Birmingham brewer and industrialist who died in 1922 when she was 15.

Artist

After her father's death, Bell Court was sold and Comyns left to attend art school, first in nearby Stratford-upon-Avon, then she moved to London to attend Heatherley School of Fine Art.[2] In 1931 she married fellow artist and childhood friend John Pemberton, nephew of the London Group president and noted artist Rupert Lee.[3] Comyns and her husband exhibited their work with the London Group of artists in November 1934.[4] Comyns mixed amongst the artistic community of London and she knew Dylan Thomas and Augustus John.[5] They had two children (a son, Julian, and a daughter, Caroline), but the marriage broke down around 1935.

During the late 1930s, Comyns began a relationship with the black-marketeer Arthur Price. The couple lived with Comyns's two children at various London addresses. Comyns generated money by modelling, converting houses into apartments, breeding poodles, renovating pianos, dealing in antique furniture and classic cars and drawing for commercial advertisements. With the outbreak of World War II, Comyns's poverty increased and her relationship with Arthur broke down. Comyns became a cook in a Hertfordshire country house, where she wrote a series of vignettes about her childhood.[6]

Writer

Comyns returned to London with her family in 1942. During the war, she met Richard Strettell Comyns Carr (the son of the barrister and Liberal MP Arthur Strettell Comyns Carr and the grandson of the dramatist Joseph Comyns Carr).[2] Richard was employed in the Iberian subsection of MI6's Section V with Kim Philby and Graham Greene.[7][8] They married in 1945. During their honeymoon, Comyns conceived the idea for The Vet's Daughter in a dream and wrote an outline.[2]

While Comyns was writing Our Spoons Came from Woolworths, a friend found the manuscript she had written in Hertfordshire and encouraged her to publish it.[9] Five of the stories were published in Lilliput between May 1945 and August 1946 as extracts from "the novel nobody will publish", with the manuscript later published in whole as Sisters by a River in 1947 by Eyre & Spottiswoode while Graham Greene was director there under Douglas Jerrold.[10][11] Both Lilliput and Eyre & Spottiswoode left her non-standard spelling intact.

Her second novel, Our Spoons Came from Woolworths, was accepted for publishing at the same time as her first. Greene later described her to Max Reinhardt as "a crazy but interesting novelist whom I started when I was at Eyre & Spottiswoode but whom Jerrold abandoned with all my other authors [...] when I left".[12]

After reading about the 1951 Pont-Saint-Esprit mass poisoning, Comyns wrote her third novel, Who Was Changed and Who Was Dead.[9]

In 1956, Richard was laid off because of his association with Kim Philby.[13][14] The Comyns Carrs moved to Spain and lived briefly on Ibiza until 1958 and then in Barcelona, from where she published The Vet's Daughter; Out of the Red, Into the Blue; The Skin Chairs; Birds in Tiny Cages; and A Touch of Mistletoe. These were published through Heinemann, via a recommendation from Greene to his friend A. S. Frere, the managing editor there. In 1969, after Frere had left Heinemann's, an early version of The House of Dolls was turned down by the publisher. Greene did not like it either. Discouraged, Comyns chose not to send it to other publishers.[15]

After living in Barcelona for 16 years, they moved to San Roque in Andalusia. In 1974, with increasing inflation in Spain and a decline in the pound, the couple returned to England, moving first to Twickenham, and later, Richmond.[16][3][15]

The Vet's Daughter was serialised in BBC radio and adapted into the 1978 musical The Clapham Wonder by Sandy Wilson.

There was renewed interest in her work when Virago began to reprint some of her novels in the 1980s, which Greene had also recommended to Carmen Callil.[17]

In the 1980s, Comyns published three more novels: The Juniper Tree, Mr. Fox (written in the 1940s), and The House of Dolls (written in the 1960s).[18]

Death and legacy

Comyns died in Stanton upon Hine Heath in Shropshire, in 1992. She is buried in St. Andrew's Churchyard. The Times, The Independent and The Guardian carried obituaries of her life.[19][20][21]

In 2024, a biography, Barbara Comyns: A Savage Innocence by Avril Horner, was published by Manchester University Press.[22][23]

Bibliography

Novels

Short stories (published as Barbara Pemberton)

  • "The Roly-Poly Field". Lilliput (May 1945), Vol. 16, No. 5, #95, p. 342.
  • "Courious Habits of Bats, Moths and Earwigs". Lilliput (July 1945), Vol. 17, No. 1, #97, pp. 51–52.
  • "Good Luck Numbers". Lilliput (September 1945), Vol. 17, No. 3, #99, p. 247.
  • "God in the Billard Room". Lilliput (November 1945), Vol. 17, No. 5, #101, p. 375.
  • "Black Monday". Lilliput (August 1946), Vol. 19, No. 2, #110, p. 153.

References

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  1. ^ a b Celia Brayfield (2004). Carr, Barbara Irene Veronica Comyns (1907–1992). Oxford Dictionary of National Biography. Oxford: Oxford University Press. Script error: No such module "CS1 identifiers".(subscription required)
  2. ^ a b c d Page Module:Citation/CS1/styles.css has no content.Hearn, Julie (2003). British Writers: Supplement VIII. New York: Scribner's. pp. 53–66.
  3. ^ a b Page Module:Citation/CS1/styles.css has no content.Moorehead, Caroline (28 January 1981). "Afloat, with a down-to-earth girl called Alice". The Times.
  4. ^ Wilcox, Denys J. The London Group 1913-1939, the Artists and their Works
  5. ^ Page Module:Citation/CS1/styles.css has no content.Zarin, Cynthia (16 May 2018). "Barbara Comyns's Inescapable Novel "The Juniper Tree"". The New Yorker. Retrieved 25 February 2020.
  6. ^ Page Module:Citation/CS1/styles.css has no content.Benedict, Elizabeth (2009). Mentors, Muses & Monsters: 30 Writers on the People Who Changed Their Lives. Simon and Schuster. p. 56. ISBN 978-1439127858.
  7. ^ Page Module:Citation/CS1/styles.css has no content.Dorril, Stephen. "A Critical Review: MI6: Fifty years of special operations" (PDF).
  8. ^ Page Module:Citation/CS1/styles.css has no content.Knightley, Phillip (1990). The Master Spy: The Story of Kim Philby.
  9. ^ a b Page Module:Citation/CS1/styles.css has no content.Comyns, Barbara (1981). The Vet's Daughter. London: Virago. p. xv.
  10. ^ Page Module:Citation/CS1/styles.css has no content."Chronological List". www.philsp.com. Archived from the original on 4 February 2021. Retrieved 25 February 2020.
  11. ^ Page Module:Citation/CS1/styles.css has no content.Hill, Mike (2015). The Works of Graham Greene, Volume 2: A Guide to the Graham Greene Archives. p. 107.
  12. ^ Page Module:Citation/CS1/styles.css has no content.Sherry, Norman (2005). The life of Graham Greene: 1955-1991. p. 115.
  13. ^ Page Module:Citation/CS1/styles.css has no content."Jane Gardam on Barbara Comyns – essay". The Spectator. 6 July 2013. Retrieved 25 February 2020.
  14. ^ Page Module:Citation/CS1/styles.css has no content.Dorril, Stephen (2000). MI6: Inside the Covert World of Her Majesty's Secret Intelligence Service. p. 843.
  15. ^ a b Page Module:Citation/CS1/styles.css has no content."The forgotten genius of Barbara Comyns". Boundless. Archived from the original on 27 February 2020. Retrieved 27 February 2020.
  16. ^ Page Module:Citation/CS1/styles.css has no content.Comyns Carr, Richard (1977). Bank of London & South America Review, Volume 11. Lloyds Bank International. p. 66.
  17. ^ Page Module:Citation/CS1/styles.css has no content.Goodings, Lennie. A Bite of the Apple: Behind the Scenes at Virago Press. p. 80.
  18. ^ Page Module:Citation/CS1/styles.css has no content."Graham Greene's role in Barbara Comyns's writing career | The TLS". TLS. Retrieved 5 March 2021.
  19. ^ Page Module:Citation/CS1/styles.css has no content."Barbara Comyns". The Times. 31 July 1992.
  20. ^ Page Module:Citation/CS1/styles.css has no content."Obituary: Barbara Comyns". The Independent. 16 July 1992. Retrieved 19 February 2020.
  21. ^ Page Module:Citation/CS1/styles.css has no content.Gardam, Jane (4 August 1992). "Novelist levitated". The Guardian.
  22. ^ Page Module:Citation/CS1/styles.css has no content."Manchester University Press - Barbara Comyns". Manchester University Press. Retrieved 13 March 2024.
  23. ^ Page Module:Citation/CS1/styles.css has no content.Wilson, Jé (7 March 2024). "Ducks in the Drawing Room". The New York Review of Books. Vol. 71, no. 4. ISSN 0028-7504. Retrieved 13 March 2024.

Further reading

  • Horner, Avril (2024). Barbara Comyns: A Savage Innocence. Manchester, UK: Manchester University Press. Template:ISBN.

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