Carry On Emmannuelle
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| Carry On Emmannuelle | |
|---|---|
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| Directed by | Gerald Thomas |
| Written by | Lance Peters |
| Produced by | Peter Rogers |
| Starring | Kenneth Williams Kenneth Connor Joan Sims Jack Douglas Peter Butterworth Beryl Reid Suzanne Danielle |
| Cinematography | Alan Hume |
| Edited by | Peter Boita |
| Music by | Eric Rogers |
Production Template:Pluralize from text | |
| Distributed by | The Rank Organisation Hemdale |
Release dateTemplate:Pluralize from text | Page Template:Plainlist/styles.css has no content.
|
Running time | 88 minutes |
| Template:Pluralize from text | United Kingdom |
| Template:Pluralize from text | English |
| Budget | £349,302[2] |
| Box office | £48,003[2] |
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Carry On Emmannuelle is a 1978 British comedy film, the 30th release in the series of 31 Carry On films (1958–1992). The film was to be the final Carry On for many regulars, including Kenneth Williams (in his 26th Carry On), Kenneth Connor (in his 17th), Joan Sims (in her 24th) and Peter Butterworth (in his 16th). Jack Douglas is the only regular from this film to bridge the gap to Carry On Columbus. Beryl Reid, Henry McGee and Suzanne Danielle make their only appearances in the series here. The film featured a change in style, becoming more openly sexual and explicit. This was highlighted by the implied behaviour of Danielle's character, though she does not bare any more flesh than any other Carry On female lead. These changes brought the film closer to the then popular X-rated series of Confessions... comedies, or indeed the actual Emmanuelle films that it parodies. This film, as well as the initial release of Carry On England, were the only films in the series to be certified AA by the British Board of Film Censors, which restricted audiences to those aged 14 and over. The film was followed by the final installment of the series Carry On Columbus in 1992.
Plot
Emmannuelle Prévert relieves the boredom of a flight on Concorde by seducing timid Theodore Valentine. She returns home to London to surprise her husband, the French ambassador Émile Prevert, but first surprises the butler, Lyons. He removes her coat, only to find that she has left her dress on the aircraft. The chauffeur, Leyland, housekeeper, Mrs Dangle, and aged boot-boy, Richmond sense saucy times ahead… and they are right! Émile is dedicated to his bodybuilding, leaving a sexually frustrated Emmannuelle to find pleasure with everyone from the Lord Chief Justice to chat show host Harold Hump. Theodore is spurned by Emmannuelle, who has genuinely forgotten their airborne encounter, and despite reassurances from his mother, exacts revenge by revealing Emmannuelle's antics to the press. However, after a visit to her doctor, she discovers that she is pregnant and decides to settle down to a faithful marriage with Émile… and dozens of children.
Cast
Crew
- Screenplay – Lance Peters
- Music – Eric Rogers
- Song – Kenny Lynch
- Performers – Masterplan
- Director of Photography – Alan Hume
- Editor – Peter Boita
- Art Director – Jack Sampan
- Production Manager – Roy Goddard
- Camera Operator – Godfrey Godar
- Make-up – Robin Grantham
- Production Executive for Cleves – Donald Langdon
- Assistant Director – Gregory Dark
- Sound Recordists – Danny Daniel & Otto Snel
- Continuity – Marjorie Lavelly
- Wardrobe – Margaret Lewin
- Stills Cameraman – Ken Bray
- Hairdresser – Betty Sherriff
- Costume Designer – Courtenay Elliott
- Set Dresser – John Hoesli
- Assistant Editor – Jack Gardner
- Dubbing Editor – Peter Best
- Titles & Opticals – GSE Ltd
- Processor – Technicolor Ltd
- Producer – Peter Rogers
- Director – Gerald Thomas
Filming and locations
- Filming dates – 10 April-15 May 1978
Interiors:
- Pinewood Studios, Buckinghamshire
Exteriors:
- Wembley, London
- Trafalgar Square, London
- Oxford Street, London
- London Zoo, London
The movie was financed by Hemdale, not Rank.[3][4]
Critical reception
Critical response was universally negative, even more so than Carry on England which preceded it, and Carry On Columbus which succeeded it 14 years later. Philip French said of it: "This relentless sequence of badly-written, badly-timed dirty jokes is surely one of the most morally and aesthetically offensive pictures to emerge from a British studio."[5] Christopher Tookey considered the film to be "embarrassingly feeble".[6] In the 1980s Williams himself said of the film: "The script left a lot to be desired and I have to admit that I found many of the jokes quite repulsive". The film performed poorly at the box officeLua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. and during the first two decades following its release it was only broadcast on UK television in a late night slot, leading author Adrian Rigelsford to comment in 1996 that out of the thirty-one Carry On films it was "the one that barely anybody's seen".Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.
Whilst many other Carry Ons have continued to be popular, opinions of Carry on Emmannuelle and its immediate predecessor and successor have not improved over the passing of time, and Carry On Emmannuelle is often considered to be the worst film in the series. Tom Cole, writing in the Radio Times, found it "undignified" and "laugh-free", noting that the Lolita-esque performance of Suzanne Danielle was "unintentionally creepy".[7] And both Cole and Ian Freer, writing for Empire, laid the blame for the death of the series squarely at the film's door.[8]
In a 2018 retrospective on the series, the British Film Institute named Carry On Emmannuelle as one of the series' five worst films, alongside Carry On Girls (1973), Carry on England (1976), That's Carry On! (1977), and Carry On Columbus (1992).[9]
In 2023, actor Larry Dann dedicated a chapter of his autobiography Oh, What A Lovely Memoir to share his memories of the making of this production, where he recalls members of the audience walking out before the credits rolled.[10][page needed]
References
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- ^ Page Module:Citation/CS1/styles.css has no content.Angelini, Sergio (2003–2014). "The Carry On Legacy". BFI Screenonline. Retrieved 18 December 2019.
- ^ a b Chapman, J. (2022). The Money Behind the Screen: A History of British Film Finance, 1945-1985. Edinburgh University Press p 357. Income is distributor's receipts, combined domestic and international, as at 31 Dec 1978.
- ^ Page Module:Citation/CS1/styles.css has no content.Vagg, Stephen (22 August 2025). "Forgotten British Film Studios: The Rank Organisation 1968-1977". Filmink. Retrieved 22 August 2025.
- ^ Page Module:Citation/CS1/styles.css has no content.Vagg, Stephen (1 September 2025). "Forgotten British Film Studios: The Rank Organisation 1978-81". Filmink. Retrieved 1 September 2025.
- ^ Page Module:Citation/CS1/styles.css has no content.Hughes, Scott (26 April 2001). "The worst movie ever?". The Guardian.
- ^ Page Module:Citation/CS1/styles.css has no content.Tookey, Chris. "Carry On Emmanuelle". Movie Film Review. Archived from the original on 25 November 2018.
- ^ Page Module:Citation/CS1/styles.css has no content.Cole, Tom (11 August 2011). "Attack of the Killer Bs: Carry On Emmannuelle (1978)". Radio Times.
- ^ Page Module:Citation/CS1/styles.css has no content.Freer, Ian (9 July 2006). "Carry On Emmannuelle Review". Empire.
- ^ Page Module:Citation/CS1/styles.css has no content.Mitchell, Neil (23 November 2018). "The 5 best Carry Ons… and the 5 worst". British Film Institute. Archived from the original on 15 April 2023. Retrieved 12 April 2024.
- ^ Page Module:Citation/CS1/styles.css has no content.Dann, Larry (2023). Oh, What a Lovely Memoir. Devonfire Books. ISBN 978-1838281946.
Bibliography
- Page Module:Citation/CS1/styles.css has no content.Bright, Morris; Ross, Robert (2000). Mr Carry On: The Life & Work of Peter Rogers. London: BBC Books. ISBN 978-0563551836. OCLC 46685742.
- Page Module:Citation/CS1/styles.css has no content.Dann, Larry (2023). Oh, What a Lovely Memoir. Cambridge: Devonfire Books. ISBN 978-1838281946. OCLC 1527587809.
- Page Module:Citation/CS1/styles.css has no content.Davidson, Andy (2012). Carry On Confidential. Tadworth, UK: Miwk Publishing. ISBN 978-1908630018. OCLC 839306567.
- Page Module:Citation/CS1/styles.css has no content.Eastaugh, Kenneth (1978). The Carry On Book. Newton Abbot, UK: David & Charles. ISBN 978-0715374030.
- Page Module:Citation/CS1/styles.css has no content.Hibbin, Sally & Nina (1988). What a Carry On. London: Hamlyn. ISBN 978-0600558194. OCLC 19354015.
- Page Module:Citation/CS1/styles.css has no content.Hudis, Norman (2008). No Laughing Matter: How I Carried On. Clacton on Sea, UK: Apex Publishing. ISBN 978-1906358150. OCLC 747427276.
- Page Module:Citation/CS1/styles.css has no content.Rigelsford, Adrian (1996). Carry On Laughing: A Celebration. London: Virgin Books. ISBN 1-85227-554-5. OCLC 35779028.
- Page Module:Citation/CS1/styles.css has no content.Ross, Robert (2002). The Carry On Companion. London: B.T. Batsford. ISBN 978-0713487718. OCLC 52687861.
- Page Module:Citation/CS1/styles.css has no content.Sheridan, Simon (2011). Keeping the British End Up: Four Decades of Saucy Cinema (Fourth ed.). London: Titan Books. ISBN 978-0857682796. OCLC 979197510.
- Page Module:Citation/CS1/styles.css has no content.Webber, Richard (2009). 50 Years of Carry On. London: Arrow. ISBN 9780099490074. OCLC 321014420.
External links
- Carry On Emmannuelle at IMDbTemplate:Edit at Wikidata
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