Common One
Template:DMCA Template:DMCA Script error: No such module "Unsubst-infobox".Script error: No such module "Check for conflicting parameters". Common One is the twelfth studio album by Northern Irish singer-songwriter Van Morrison, released in 1980. The album was recorded over a nine-day period at Super Bear Studios, near Nice, on the French Riviera. Its title is in the lyrics of the song "Summertime in England": "Oh, my common one with the coat so old and the light in her head".
The 2008 re-issued and re-mastered version of the album contains alternate takes of "Haunts of Ancient Peace" and "When Heart Is Open".
Apart from polarising critics on its initial release, Common One has been cited by Morrison himself as his favourite of his own albums.[1]
Recording
According to Mick Cox the early stages of the album were rehearsed during November and December 1979. The songs "Summertime in England" and "Haunts of Ancient Peace" were rehearsed by Morrison and the band during small gigs in January 1980. Cox thought that "some of these performances at the rehearsals were far better than the final recordings." Speaking of the recording sessions at Super Bear, Cox said: "We were all ensconced in a very, very intense, highly charged situation for those eleven days, but it did bring out that album."Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. Jef Labes recalled about his arrangements on the album: "... but what I always tried to do with string arrangements for him was to just try to mimic what he was singing, 'cause he was such a song instrument."Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.
Composition
In contrast to many of his previous albums, Common One ventures more into the realms of free jazz than the usual Van Morrison R&B, with the sax playing of Pee Wee Ellis coming to the fore. The songs are also somewhat longer than on his previous albums. Morrison said that the original concept was even more esoteric and was heavily influenced by his reading of nature poets.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.
The opening track, "Haunts of Ancient Peace" was named from a (1902) book by Alfred Austin (Poet Laureate 1896–1912), and features the twin brothers of Morrison's voice against the answering saxophone of Pee Wee Ellis, with the trumpet of Mark Isham.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.
"Summertime in England" was the longest track and proved to be a successful live performance for some time to come. Morrison said it "was actually a part of a poem I was writing and the poem and the song sort of merged." The lyrics include images of Wordsworth and Coleridge "smokin' up in Kendal" (Brian Hinton says they are "smokin' with poetry not spliffs").Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. It ends with the music being brought down to nothing and the words, "Can you feel the silence?"
"Spirit" played with sudden tempo changes and the ending fifteen-minute track, "When Heart Is Open", was experimental in form with elements of melody from Miles Davis's In A Silent Way. It is free tempo (presaging the era of New-age music).Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.
Reception
Template:Album ratings Critical response to Common One was divided.[2] Graham Locke reviewed it in NME calling it "colossally smug and cosmically dull; an interminable, vacuous and drearily egotistical stab at spirituality". Dave McCullough wrote in Sounds: "For the fan, as I am myself, it's not even possible to romanticize and say that Morrison has lost his way temporarily, so stern and so acute is his departure."Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. Rolling Stone critic Tom Carson named "Satisfied" as the record's only "masterpiece", in which "the simplicity that Morrison is striving for arrive as something natural and effortless, as a gift of grace".[3] Clinton Heylin contends that Morrison was bruised by the reaction and "would not attempt anything quite so ambitious again."Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.
In 1982, Lester Bangs argued for a reassessment, saying, "Van was making holy music even though he thought he was, and us rock critics had made our usual mistake of paying too much attention to the lyrics."Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. Also in 1982, The Boston Phoenix's John Piccarella wrote that "Common One was probably Morrison’s richest record (rich like haute cuisine), brighter and sunnier than predecessors Astral Weeks and Veedon Fleece, lusher and elevated far above most people’s tolerance for elated sentiment.[4] American critics voted it the 27th best album of 1980 in The Village VoiceTemplate:'s annual Pazz & Jop poll.[5] In an accompanying essay, poll supervisor Robert Christgau wrote, "As somebody who considers Moondance an apotheosis and has never gotten Astral Weeks, I think this is his worst since Hard Nose the Highway – sententious, torpid, abandoned by God. I know lots of Astral Weeks fans who agree. But Morrison has a direct line to certain souls, and they still hear him talkin'."[6] In retrospect, he deemed "Satisfied" and "Summertime in England" to be the record's highlights.[7]
In 2009, Erik Hage said "the dominant critical reaction represented it as prohibitive, sententious, and inaccessible, when in fact it is filled with much melody and beauty."[8] AllMusic later wrote, "No wonder the rock critics of the time didn't get it; this is music outside the pop mainstream, and even Morrison's own earlier musical territory. But it retains its trancelike power to this day."[9] In a 2014 list by Stereogum, ranking all the thirty-two solo Van Morrison albums from worst to best, Common One was placed in the sixteenth position.[10]
Track listing
All songs written by Van Morrison.
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- Bonus tracks (2008 CD reissue)
- "Haunts of Ancient Peace" – 7:44 (alternate take)
- "When Heart Is Open" – 7:43 (alternate take)
Personnel
Musicians
- Van Morrison – vocals, guitar, harmonica
- Mick Cox – lead guitar
- Herbie Armstrong – guitar, backing vocals
- David Hayes – bass guitar, backing vocals
- John Allair – Hammond organ, piano, Fender Rhodes, backing vocals
- Pee Wee Ellis – tenor saxophone, alto saxophone, flute
- Mark Isham – trumpet, flugelhorn
- Pete Brewis – backing vocals on "Satisfied" with the band
- Peter Van Hooke – drums
2008 Reissue
- Toni Marcus – sitar, violin
- Mark Jordan – keyboards
Production
- Producer: Van Morrison with Henry Lewy for Caledonia Productions
- Musical Director: Pee Wee Ellis
- Horn Arrangement: Pee Wee Ellis
- String and Choir Arrangement: Jef Labes on "Summertime", "Wild Honey" and choir on "Haunts"
- Engineers: Henry Lewy, Dave Burgess, Alex Kash, and Chris Martyn
- Photography: Rudy Legname
- Mastered by Bernie Grundman at A&M Studios
Charts
| Chart (1980) | Position |
|---|---|
| Australia (Kent Music Report)[11] | 40 |
| US Pop Albums[12] | 73 |
| UK Album Chart[13] | 53 |
Notes
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- ^ Page Module:Citation/CS1/styles.css has no content."Sir Van Morrison 'exhilarated' over knighthood". Belfast Telegraph. Retrieved 13 November 2021.
- ^ Page Module:Citation/CS1/styles.css has no content."The One After the Big One: Van Morrison, Common One". Rhino.com. 19 December 2018. Retrieved 19 November 2021.
- ^ Page Module:Citation/CS1/styles.css has no content.Carson, Tom. "Common One – Review". Rolling Stone. Retrieved 13 November 2021.
- ^ Page Module:Citation/CS1/styles.css has no content.Piccarella, John (6 April 1982). "Van Morrison: Through the glass". The Boston Phoenix. Retrieved 14 August 2024.
- ^ Page Module:Citation/CS1/styles.css has no content.Christgau, Robert. "Pazz & Jop". The Village Voice. Retrieved 13 November 2021 – via Robertchristgau.com.
- ^ Page Module:Citation/CS1/styles.css has no content.Christgau, Robert (1981). "The Year of the Lollapalooza". The Village Voice. Retrieved 26 May 2016.
- ^ Cite error: The named reference
Christgauwas invoked but never defined (see the help page). - ^ Page Module:Citation/CS1/styles.css has no content.Erik Hage (2009). The Words and Music of Van Morrison. Praeger Publishers. p. 92. ISBN 978-0-313-35862-3.
- ^ Cite error: The named reference
AllMusic Reviewwas invoked but never defined (see the help page). - ^ Page Module:Citation/CS1/styles.css has no content.Bracy, Timothy; Bracy, Elizabeth (14 April 2014). "Van Morrison Albums From Worst To Best". Stereogum. Retrieved 13 November 2021.
- ^ Page Module:Citation/CS1/styles.css has no content.Kent, David (1993). Australian Chart Book 1970–1992 (illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 208. ISBN 0-646-11917-6.
- ^ Page Module:Citation/CS1/styles.css has no content."Into the Music - van Morrison | Songs, Reviews, Credits | AllMusic". AllMusic.
- ^ Page Module:Citation/CS1/styles.css has no content."Van Morrison". Official Charts. Retrieved 19 November 2021.
References
- Page Module:Citation/CS1/styles.css has no content.Hage, Erik (2009). The Words and Music of Van Morrison. Praeger Publishers. ISBN 978-0-313-35862-3.
- Page Module:Citation/CS1/styles.css has no content.Heylin, Clinton (2003). Can You Feel the Silence? Van Morrison: A New Biography. Chicago Review Press. ISBN 1-55652-542-7.
- Page Module:Citation/CS1/styles.css has no content.Hinton, Brian (2000). Celtic Crossroads: The Art of Van Morrison. Sanctuary. ISBN 1-86074-169-X.
- Mills, Peter (2010) Hymns To The Silence: Inside the Words and Music of Van Morrison (Bloomsbury)
- Page Module:Citation/CS1/styles.css has no content.Rogan, Johnny (2006). Van Morrison: No Surrender. London: Vintage Books. ISBN 978-0-09-943183-1.
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