Edith Mathis

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Edith Mathis
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Mathis in 1969
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Lucerne, Switzerland
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Salzburg, Austria
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TitleKammersängerin
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(divorced)
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Edith Mathis (Script error: No such module "IPA".;[1] 11 February 1938 – 9 February 2025) was a Swiss soprano known for her roles in Mozart's operas. Early in her career, Cherubino in Le nozze di Figaro was her signature role that she performed at debuts at several opera houses and festivals in Europe. Later, she portrayed Susanna in the same opera, Zerlina in Don Giovanni and Pamina in Die Zauberflöte. She took part in premieres of operas, Henze's Der junge Lord and works by Gottfried von Einem, Menotti and Heinrich Sutermeister. Based at Deutsche Oper Berlin from 1963 to 1971, she was in demand internationally, also as a singer of Lied and in concert.

Mathis recorded operas, symphonies by Gustav Mahler and oratorios with the leading conductors of her time. She recorded many of Bach's church cantatas in Karl Richter's cycle, and Lieder by Mozart, Schubert, Schumann, Richard Strauss and Hugo Wolf. From 1992, she taught Lied interpretation at the University of Music and Performing Arts Vienna and in master classes.

Career

Edith Mathis was born in Lucerne on 11 February 1938.[2] She was determined from a young age to become a singer, inspired by listening to recordings and broadcasts with Renata Tebaldi and Maria Callas.[3] She studied voice at the Lucerne Conservatory with Elisabeth Bossart. She made her operatic debut at the Luzerner Theater [de] in 1956 as the Second Boy in Mozart's Die Zauberflöte.[3][4][5] Good reviews helped her get an invitation to perform as Cherubino in Mozart's Le nozze di Figaro at the Opernhaus Zürich.[3] She continued gaining stage experience in Switzerland for the next three years. In 1959 she moved to the Cologne Opera,[6] where Wolfgang Sawallisch was then musical director.[3] Her roles there included Cherubino and Zerlina in Mozart's Don Giovanni.[5]

She appeared regularly at the Salzburg Festival from 1960.[7] In the early 1960s she made frequent guest appearances, often as Cherubino, at the Hamburg State Opera in 1960, at the Vienna State Opera in 1962, and at the Glyndebourne Festival in 1963.[3][8] She became a member of the Deutsche Oper Berlin that year,[9][10] and performed as Cherubino with the company in Tokyo.[3] She appeared in Berlin first as Zerlina, and was compared to Audrey Hepburn as she "embodied this ideal of girlish, at once high-spirited and vulnerable innocence visually, with large dark eyes, short dark hair and delicate appearance".[9] She portrayed other young women "with unaffected elegance":[9] Susanna in Le nozze di Figaro, Sophie in Der Rosenkavalier by Richard Strauss, Ännchen in Weber's Der Freischütz and Pamina in Die Zauberflöte, the latter with "touching sadness".[9] She became a favourite with the audience, and remained at the house until 1971.[9]

In 1964 she performed at the Hamburg State Opera in the world premiere of Gottfried von Einem's Der Zerrissene [de] after Nestroy.[3][11] In more premieres, she appeared in Berlin as Luise in Henze's Der junge Lord in 1965,[3][12] and portrayed the girl Emily in Menotti's Hilfe, Hilfe, die Globolinks in Hamburg in 1968.[3][13][7]

She had guest contracts with Hamburg, Oper Frankfurt and the Bavarian State Opera.[3] Her first role in Munich was Pamina in Die Zauberflöte in 1970 as part of the opera festival. She returned regularly, also as Susanna in Le nozze di Figaro and Zerlina in Don Giovanni, Marzelline in Beethoven's Fidelio, the Countess in Figaro, as Zdenka in Arabella by Richard Strauss, and as Mélisande in Debussy's Pelleas. She took part there, as Queen Marie, in the world premiere of Heinrich Sutermeister's Le roi Berénger after Ionesco in 1985.[7]

Between 1970 and 1972 she performed 25 times at the Metropolitan Opera in New York City, as Pamina in Die Zauberflöte, Marzelline in Fidelio, Ännchen in Der Freischütz and Zerlina in Don Giovanni.[3][14][15] She made her debut at the Royal Opera House in London in 1970.[16] In the 1970s she appeared in more major European opera houses including the Opéra de Paris.[2][16] She performed at the Vienna State Opera, after Cherubino, also as Zerlina in Don Giovanni between 1972 and 1985, Sophie in Der Rosenkavalier by Richard Strauss, Susanna in Figaro between 1976 and 1986, and Pamina.[17] Throughout her career, Mathis remained within her lyric soprano range, expanding her repertoire by Agathe in Der Freischütz and the Marschallin in Der Rosenkavalier.[3][17][18] She retired from the stage in 2001.[3][7]

In addition to her operatic career, Mathis made numerous international concert tours in Lieder recitals.[7] Singing Lieder, she was focused on the texts and their settings, serving the poet and the composer.[17] Mathis led a Lied class as a professor at the University of Music and Performing Arts Vienna from 1992 to 2006.[4][19] She gave master classes in Europe, Asia and the US.[7][10] One of her students was Diana Damrau.[20]

"Sull'aria...che soave zeffiretto", a duet from Le nozze di Figaro that she performed with Gundula Janowitz as the Countess, features prominently in the film The Shawshank Redemption.[21] According to The New York Times, they "soar over a prison yard, signifying joy and hope in a world of despair".[22]

Personal life

Mathis was married to conductor and pianist Bernhard Klee, with whom she often performed.[3][7] After they divorced, she lived with her second husband, the art collector Heinz Slunecko, in Salzburg.[7]

Mathis died in Salzburg on 9 February 2025, two days before her 87th birthday.[3][11][18]

Awards

Discography

Soloists working on Die Schöpfung, 1980

Mathis made many recordings of Lied repertoire, by Mozart in 1973 with Bernhard Klee and in 1986 with Karl Engel,[54] by Schumann with Christoph Eschenbach,[55] also by Schubert,[56] Richard Strauss and Hugo Wolf.[3] She recorded Handel's Neun Deutsche Arien in 1966 with the Consortium Musicum[57] and arias by Haydn in 1981, conducted by Armin Jordan.[58]

References

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  1. ^ Page Module:Citation/CS1/styles.css has no content."Kultur kompakt". SRF. Retrieved 13 February 2025.
  2. ^ a b c d e f g h Page Module:Citation/CS1/styles.css has no content.Lustenberger, Theo (23 November 2024). "Mathis Edith". Musinfo: All individuals. Musinfo. Retrieved 11 February 2025.
  3. ^ a b c d e f g h i j k l m n o p q Page Module:Citation/CS1/styles.css has no content.Kesting, Jürgen (11 February 2025). "Seraphische Schönheit: Zum Tod der Sängerin Edith Mathis". FAZ.NET (in Deutsch). Retrieved 11 February 2025.
  4. ^ a b Page Module:Citation/CS1/styles.css has no content."Schweizer Sopranistin Edith Mathis gestorben". Kleine Zeitung (in Deutsch). 11 February 2025. Retrieved 11 February 2025.
  5. ^ a b Page Module:Citation/CS1/styles.css has no content."Die Sopranistin Edith Mathis". Freunde der Villa Musica (in Deutsch). Retrieved 11 February 2025.
  6. ^ Page Module:Citation/CS1/styles.css has no content.Voigt, Thomas (11 February 2025). "Nachruf auf die Opernsängerin Edith Mathis". Mediathek (in Deutsch). Retrieved 11 February 2025.
  7. ^ a b c d e f g h Page Module:Citation/CS1/styles.css has no content.Krasting, Malte (10 February 2025). "KS. Edith Mathis verstorben". Bavarian State Opera (in Deutsch). Retrieved 12 February 2025.
  8. ^ Page Module:Citation/CS1/styles.css has no content.Nossiter, Adam (15 February 2025). "Edith Mathis, Radiant Swiss Soprano, Is Dead at 86". The New York Times. Vol. 174, no. 60433. p. B5. ISSN 0362-4331. Retrieved 19 February 2025.
  9. ^ a b c d e Page Module:Citation/CS1/styles.css has no content."In memory of Edith Mathis". Deutsche Oper Berlin. February 2025. Retrieved 12 February 2025.
  10. ^ a b Page Module:Citation/CS1/styles.css has no content."Kammersängerin Prof. Edith Mathis, Meisterklassen". martin c. turba arts management (in Deutsch). Retrieved 11 February 2025.
  11. ^ a b Page Module:Citation/CS1/styles.css has no content."Sopranistin Edith Mathis gestorben". Der Standard (in Deutsch). APA. 11 February 2025. Retrieved 11 February 2025.
  12. ^ Andrew Porter, "Reports from Abroad: Berlin – Henze's New Opera" (June 1965). The Musical Times, 106 (1468): pp. 453–55.
  13. ^ Page Module:Citation/CS1/styles.css has no content.Kuntzsch, Matthias; Mathis, Edith; Menotti, Gian Carlo; Saunders, Arlene; Wolansky, Raymond; Workman, William; Hamburgische Staatsoper Ballett; Norddeutscher Rundfunk Kinderchor; Philharmonisches Staatsorchester Hamburg (2007), Help, help, the Globolinks! an opera for children and all those still young at heart! (in Deutsch), [Leipzig]: Arthaus-Musik, OCLC 633560330
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  15. ^ Page Module:Citation/CS1/styles.css has no content."Metropolitan Opera Archives". MetOpera Archives (in Deutsch). 19 January 1970. Retrieved 11 February 2025.
  16. ^ a b Page Module:Citation/CS1/styles.css has no content."Sopranistin Edith Mathis gestorben". kurier.at (in Deutsch). 11 February 2025. Retrieved 11 February 2025.
  17. ^ a b c Page Module:Citation/CS1/styles.css has no content."Vorstellungen mit Edith Mathis". archiv der Wiener Staatsoper (in Deutsch). Retrieved 11 February 2025.
  18. ^ a b Page Module:Citation/CS1/styles.css has no content.Fischer, Volkmar (11 February 2025). "Trauer um Sopranistin: Edith Mathis mit 86 Jahren verstorben". BR (in Deutsch). Retrieved 11 February 2025.
  19. ^ Page Module:Citation/CS1/styles.css has no content."Keine Angst vor dem Schmalzando". KN – Kieler Nachrichten (in Deutsch). 24 July 2018. Retrieved 11 February 2025.
  20. ^ Page Module:Citation/CS1/styles.css has no content.Majer, Carina (11 February 2025). "Opernsängerin Edith Mathis ist 86-jährig verstorben". Thurgauer Zeitung (in Deutsch). Retrieved 12 February 2025.
  21. ^ Page Module:Citation/CS1/styles.css has no content.Mozart, Wolfgang Amadeus; Janowitz, Gundula; Mathis, Edith; Böhm, Karl; Deutsche Oper Berlin Orchester (2008), The Shawshank Redemption : The Marriage of Figaro : Sull'aria (in zxx), [S.l.]: [s.n.], OCLC 1116969701{{citation}}: CS1 maint: unrecognized language (link)
  22. ^ Page Module:Citation/CS1/styles.css has no content.Tommasini, Anthony; Woolfe, Zachary; Allen, David (25 December 2014). "Richard Strauss Recordings Recommended by Critics". The New York Times. Retrieved 12 February 2025.
  23. ^ Page Module:Citation/CS1/styles.css has no content.Paul Suter (2005). "Edith Mathis". In Andreas Kotte (ed.). Theaterlexikon der Schweiz / Dictionnaire du théâtre en Suisse / Dizionario Teatrale Svizzero / Lexicon da teater svizzer [Theater Dictionary of Switzerland]. Vol. 2. Zürich: Chronos. pp. 1199–1200. ISBN 978-3-0340-0715-3. LCCN 2007423414. OCLC 62309181.
  24. ^ Page Module:Citation/CS1/styles.css has no content.Bach, Johann Sebastian; Richter, Karl; Mathis, Edith; Reynolds, Anna; Schreier, Peter; Fischer-Dieskau, Dietrich; Münchener Bach-Chor; Münchener Bach-Orchester, 75 Kantaten = Cantatas (in und), Hamburg: Polydor Internat, OCLC 643449967{{citation}}: CS1 maint: unrecognized language (link)
  25. ^ a b Edith Mathis (Soprano) Bach Cantatas Website
  26. ^ Page Module:Citation/CS1/styles.css has no content.Bach, Johann Sebastian; Mathis, Edith; Baker, Janet; Schreier, Peter; Fischer-Dieskau, Dietrich; Salminen, Matti; Richter, Karl; Münchener Bach-Chor; Münchener Bach-Orchester (1980), Matthäus-Passion : BWV 244 = St. Matthew Passion = Passion selon St. Matthieu (in Deutsch), Hamburg, Germany: Archiv Produktion, OCLC 78681165
  27. ^ Page Module:Citation/CS1/styles.css has no content.Beethoven, Ludwig van; Sonnleithner, Joseph Ferdinand; Treitschke, Georg Friedrich; Jones, Gwyneth; Mathis, Edith; King, James; Schreier, Peter; Adam, Theo; Crass, Franz; Böhm, Karl; Bouilly, J. N.; Rundfunkchor Leipzig; Staatsoper Dresden Chor; Staatskapelle Dresden (2005), Fidelio (in Deutsch), Hamburg: Deutsche Grammophon, OCLC 992988224
  28. ^ Page Module:Citation/CS1/styles.css has no content.Berlioz, Hector; Mathis, Edith; Burrows, Stuart; McIntyre, Donald; Ozawa, Seiji; Goethe, Johann Wolfgang von; Tanglewood Festival Chorus; Boston Boy Choir; Boston Symphony Orchestra (1988), La damnation de Faust (in français), Hamburg: Deutsche Grammophon, OCLC 986794710
  29. ^ Page Module:Citation/CS1/styles.css has no content.Brahms, Johannes; Mathis, Edith; Fischer-Dieskau, Dietrich; Barenboim, Daniel; Edinburgh Festival Chorus; London Philharmonic Orchestra (1972), Ein deutsches Requiem : op. 45, nach Worten der Heiligen Schrift, für Soli, Chor und Orchester; Vier ernste Gesänge, op. 121 [für Bariton u. Klavier] (in Deutsch), [Germany]: Deutsche Grammophon, OCLC 3370968
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  31. ^ Page Module:Citation/CS1/styles.css has no content.Brahms, Johannes; Fassbaender, Brigitte; Mathis, Edith; Schreier, Peter; Fischer-Dieskau, Dietrich; Engel, Karl; Sawallisch, Wolfgang (1983), Liebeslieder : op. 52, Walzer = Love songs = Chants d'amour; Neue Liebeslieder : op. 65, Walzer = New love songs = Nouveaux chants d'amour; Drei Quartette op. 64 = Vocal quartets = Quatuors vocaux (in Deutsch), Hamburg: Deutsche Grammophon, OCLC 31270560
  32. ^ Page Module:Citation/CS1/styles.css has no content.Haydn, Joseph; Dorati, Antal; Rolfe Johnson, Anthony; Von Stade, Frederica; Mathis, Edith; Valentini-Terrani, Lucia; Alva, Luigi; Trimarchi, Domenico; Auger, Arleen; Orchestre de chambre de Lausanne; Choeur de la Radio Suisse Romande (1978), Il mondo della luna : dramma giocoso, Philips, OCLC 221250072
  33. ^ Page Module:Citation/CS1/styles.css has no content.Haydn, Joseph; Swieten, Gottfried van; Mathis, Edith; Baldin, Aldo; Fischer-Dieskau, Dietrich; Kraemer, Nicholas; Marriner, Neville; Milton, John; Academy of St Martin-in-the-Fields Chorus; Academy of St Martin-in-the-Fields (1980), Die Schöpfung (in Deutsch), [Baarn]: Philips, OCLC 7164858
  34. ^ Page Module:Citation/CS1/styles.css has no content.Haydn, Joseph; Swieten, Gottfried van; Mathis, Edith; Jerusalem, Siegfried; Fischer-Dieskau, Dietrich; Marriner, Neville; Thomson, James; Academy of St Martin-in-the-Fields Chorus; Academy of St Martin-in-the-Fields (1981), Die Jahreszeiten (in Deutsch), Baarn, The Netherlands: Philips, OCLC 13636725
  35. ^ Page Module:Citation/CS1/styles.css has no content.Haydn, Joseph; Araiza, Francisco; Dam, José van; Karajan, Herbert von; Mathis, Edith; Wiener Philharmoniker; Wiener Singverein (1983), Die Schöpfung, Hob. XXI, 2 The Creation = La création : No. 1-19 (in Deutsch), Hamburg: Polydor International, OCLC 1026127365
  36. ^ Page Module:Citation/CS1/styles.css has no content.Mahler, Gustav (1967), Mahler: 10 Symphonies Rafael Kubelik (in und), OCLC 874491845{{citation}}: CS1 maint: unrecognized language (link)
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  45. ^ Page Module:Citation/CS1/styles.css has no content.Mozart, Wolfgang Amadeus; Schikaneder, Emanuel; Gedda, Nicolai; Mathis, Edith; Sotin, Hans; Deutekom, Cristina; Workman, William; Malone, Carol; Grundheber, Franz; Stein, Horst; Ustinov, Peter; Hess, Joachim; Liebermann, Rolf; Fischer-Dieskau, Dietrich; Melchert, Helmut; Hamburgische Staatsoper Chor; Philharmonisches Staatsorchester Hamburg; Arthaus Musik (Firm) (2006), Die Zauberflöte : Oper (in Deutsch), Leipzig: Arthaus Musik, OCLC 77501489
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  50. ^ Page Module:Citation/CS1/styles.css has no content.Mozart, Wolfgang Amadeus; Schikaneder, Emanuel; Dam, José van; Ott, Karin; Mathis, Edith; Araiza, Francisco; Hornik, Gottfried; Perry, Janet; Nicolai, Claudio; Kruse, Heinz; Tomowa-Sintow, Anna; Baltsa, Agnes; Schwarz, Hanna; Hagen-Groll, Walter; Karajan, Herbert von; Deutsche Oper Berlin Chor; Berliner Philharmoniker (1980), Die Zauberflöte KV 620; Oper in zwei Aufz (in Deutsch), Hamburg: Deutsche Grammophon, OCLC 725760276
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  52. ^ Page Module:Citation/CS1/styles.css has no content.Nicolai, Otto; Mosenthal, S. H.; Mathis, Edith; Donath, Helen; Schwarz, Hanna; Schreier, Peter; Ludwig, Kurt; Mercker, Karl-Ernst; Weikl, Bernd; Dormoy, Claude; Moll, Kurt; Vogel, Siegfried; Klee, Bernhard; Shakespeare, William; Deutsche Staatsoper Berlin Chor; Staatskapelle Berlin (2009), Die lustigen Weiber von Windsor (in Deutsch), Hong Kong: Naxos Digital Services/Berlin Classics, OCLC 704903352
  53. ^ Page Module:Citation/CS1/styles.css has no content.Strauss, Richard; Bohm, Karl; Ludwig, Christa; Troyanos, Tatiana; Adam, Theo; Mathis, Edith; Konzertvereinigung Wiener Staatsopernchor; Wiener Philharmoniker (1994), Der Rosenkavalier, [Germany]: Deutsche Grammophon, OCLC 969573556
  54. ^ Page Module:Citation/CS1/styles.css has no content.Mathis, Edith; Engel, Karl (2019), Edith Mathis – selected Lieder (in Deutsch), [Detmold]: Audite, OCLC 1141160046
  55. ^ Page Module:Citation/CS1/styles.css has no content.Schumann, Robert; Eschenbach, Christoph; Mathis, Edith; Schreier, Peter; Fischer-Dieskau, Dietrich (2010), Lieder (in Deutsch), Hamburg: Deutsche Grammophon (Universal Music), OCLC 935159204
  56. ^ Page Module:Citation/CS1/styles.css has no content.Schubert, Franz; Mathis, Edith; Johnson, Graham; University of York Department of Music (1994), The Hyperion Schubert edition 21 : Complete songs = Sämtliche Lieder = Mélodies intégrales, London: Hyperion, OCLC 1055045320
  57. ^ Page Module:Citation/CS1/styles.css has no content.Händel, Georg Friedrich; Mathis, Edith; Schmidtmann, Friedrich; Noack, Valerie; Hucke, Helmut; Steinkopf, Otto; Neuhaus, Werner; Dombois, Eugen M.; Thoene, Walter; Naumann, Gerhard; Consortium Musicum (1963), Neun deutsche Arien (in Deutsch), Köln: EMI Electrola, OCLC 179787325
  58. ^ Page Module:Citation/CS1/styles.css has no content.Haydn, Joseph; Jordan, Armin; Mathis, Edith; Orchestre de chambre (Lausanne) (1981), Arias Arien (in zxx), [S.l.]: Philips, OCLC 718477972{{citation}}: CS1 maint: unrecognized language (link)

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