Gate of Flesh
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| Gate of Flesh | |
|---|---|
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| Directed by | Seijun Suzuki |
| Written by | Page Template:Plainlist/styles.css has no content. |
| Produced by | Kaneo Iwai |
| Starring | Page Template:Plainlist/styles.css has no content. |
| Cinematography | Shigeyoshi Mine |
| Music by | Naozumi Yamamoto |
| Distributed by | Nikkatsu |
Release dateTemplate:Pluralize from text | Page Template:Plainlist/styles.css has no content.
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Running time | 119 minutes |
| Template:Pluralize from text | Japan |
| Template:Pluralize from text | Japanese |
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Script error: No such module "Nihongo". is a 1964 Japanese film based on a novel by Taijiro Tamura and directed by Seijun Suzuki.[1][2][3] The first of Suzuki's "flesh trilogy" (followed by Story of a Prostitute and Carmen from Kawachi), the series is considered the "crowning achievement" of his period working at the production house Nikkatsu.[4][5] The film is viewed as a direct and allegorical critique of Japan's Occupation and subsequent development, which rather than breaking with the country's pre-war militaristic, authoritarian social structures only sees their reconstitution in the post-war period.[6][7]
Plot
In an impoverished and burnt out Tokyo ghetto of post-World War II Japan, a band of prostitutes defend their territory, squatting in a bombed-out building. Somehow they eke out a living together. Forming a sort of family in an environment where everyone (American soldiers and Japanese yakuza) is a potential antagonist, the girls cajole each other, and ruthlessly punish any of their group who violate the cardinal rule—no falling in love. A new girl, Maya (Yumiko Nogawa), joins their group and learns the trade. An ex-soldier, Shintaro Ibuki (Joe Shishido), is shot nearby and holes up with the girls. Each of them starts to crave Ibuki, placing strains on the group. Maya feels it worst, seeing him as replacement for her brother (who died in Borneo). She takes him for a night of drunken revelry, and both are ostracized. Agreeing to run away together, he is shot in a double-cross, and she is left as she was at the beginning of the film—alone and hopeless.[7][8]
Production
Planned as an "adult release" (Japanese films were classified by the country's film board as "general release" or "adult"), the usual pace of production at Nikkatsu (10 days pre-production, 25 days shooting, three days post-production) allowed Suzuki and his innovative production designer Takeo Kimura precious little time to construct sets to recreate post-war firebombed Tokyo. Sets were slapped together on the backlot using materials purloined from studio warehouses, and theatrical set design techniques which could compromise the film's "realism." The resulting production has been lauded for its resulting visual flair.[9]
Most female actresses at Nikkatsu refused to work in the film due to the nudity and subject matter, so the cast's female roles were filled by actresses from outside the studio.[9]
Cast
- Joe Shishido as Shintaro Ibuki
- Yumiko Nogawa as Borneo Maya
- Kōji Wada as Abe
- Tomiko Ishii as Roku
- Kayo Matsuo as Mino
- Misako Tominaga as Machiko
- Keisuke Noro as Ishii
- Chico Lourant as Catholic Priest
- Isao Tamagawa as Horidome
- Satoko Kasai as Komasa Sen
Other versions
There are three other film versions (1948), (1977), (1988 starring Katase Rino), and a recent 2008 TV drama series.
References
Page Template:Reflist/styles.css has no content.
- ^ Page Module:Citation/CS1/styles.css has no content."浮浪する仙人 鈴木清順". イントロ. Retrieved 29 December 2020.
- ^ Page Module:Citation/CS1/styles.css has no content."デジタル大辞泉「肉体の門」の解説". KOTOBANK. Retrieved 22 July 2021.
- ^ Page Module:Citation/CS1/styles.css has no content."肉体の門". wowow. Retrieved 22 July 2021.
- ^ Page Module:Citation/CS1/styles.css has no content.Lund, Carson (13 May 2016). "Time and Place are Nonsense! The Cinema According to Seijun Suzuki". Harvard Film Archive. Retrieved 31 August 2024.
- ^ Page Module:Citation/CS1/styles.css has no content.Sharp, Jasper (13 October 2011). Historical Dictionary of Japanese Cinema. Scarecrow Press. p. 229. ISBN 978-0-8108-7541-8.
- ^ Page Module:Citation/CS1/styles.css has no content.Yacavone, Peter A. (2023). Negative, Nonsensical, and Non-Conformist: The Films of Suzuki Seijun. University of Michigan Press. p. 171. doi:10.1353/book.112009. ISBN 978-0-472-90347-4.
- ^ a b Page Module:Citation/CS1/styles.css has no content.Ingle, Zachary (1 January 2015). "Seijun Suzuki: Transcending Genre, Offending Nikkatsu". In Berra, John (ed.). Directory of World Cinema: Japan 3. Intellect Books. pp. 168–172. ISBN 978-1-78320-404-5.
- ^ Page Module:Citation/CS1/styles.css has no content.Sanders, Jason (25 February 2016). "Gate of Flesh". Berkeley Art Museum and Pacific Film Archive. Retrieved 1 September 2024.
- ^ a b Page Module:Citation/CS1/styles.css has no content.Suzuki, Seijun; Takeo Kimura (2005). Gate of Flesh (Interviews) (DVD). The Criterion Collection. Archived from the original on 26 September 2007. Retrieved 2 January 2007.
External links
- Gate of Flesh at IMDbTemplate:Edit at Wikidata
- Gate of Flesh: I Love in Fear an essay by Chuck Stephens at the Criterion Collection
- Gate of Flesh Template:In lang at the Japanese Movie Database
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