High Terrace
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| The High Terrace | |
|---|---|
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| Directed by | Henry Cass |
| Written by | Page Template:Plainlist/styles.css has no content. |
| Based on | an original story by A. T. Weisman |
| Produced by | Page Template:Plainlist/styles.css has no content. |
| Starring | Page Template:Plainlist/styles.css has no content. |
| Cinematography | Eric Cross |
| Edited by | Henry Richardson |
| Music by | Stanley Black |
Production Template:Pluralize from text | Cipa |
Release dateTemplate:Pluralize from text | Page Template:Plainlist/styles.css has no content.
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Running time | 69 minutes |
| Template:Pluralize from text | United Kingdom |
| Template:Pluralize from text | English |
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The High Terrace, also known as High Terrace, is a 1956 black and white British second feature ('B')[1] mystery film directed by Henry Cass and starring Dale Robertson, Lois Maxwell, Derek Bond, Eric Pohlmann and Lionel Jeffries.[2][3][4] It was written by Norman Hudis, Alfred Shaughnessy and Brock Williams from an original story by A. T. Weisman.
Plot
Beautiful fledgling actress Stephanie Blake is starring in playwright Otto Kellner's latest theatrical hit. Unbeknownst to her, the writer is in love with her, and is jealous of any competition. Stephanie is ambitious for a part in a new play by American Bill Lang, but Kellner refuses to release her from her contract. When Kellner is found stabbed with a pair of Stephanie's scissors, Bill Lang fears she is being framed and so aids her in moving the body. But when the police discover the corpse, everyone becomes a suspect.
Cast
Critical reception
The Monthly Film Bulletin wrote: "A carefully made, rather slowly developed murder mystery with some above average playing in the supporting parts. Lois Maxwell is convincing in the slightly unsympathetic role of the ambitious Stephanie."[5]
Kine Weekly wrote: "Lois Maxwell displays considerable finesse as Stephanie, Dale Robertson, the western favourite, gets along comfortably without his horse as Bill, and Eric Pohlmann, although dismissed in the second reel, makes quite an impression as Kellner. Dialogue smooth, staging effective, and twist climax aptly timed."[6]
In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "average", writing: "Whodunnit is slow-moving, but keeps you guessing."[7]
Leslie Halliwell said: "Rather solemn, enclosed little mystery which invokes no compulsion to go on watching."[8]
Leonard Maltin gave the film two out of four stars, calling it a "minor drama."[9]
References
- ^ Page Module:Citation/CS1/styles.css has no content.Chibnall, Steve; McFarlane, Brian (2009). The British 'B' Film. London: BFI/Bloomsbury. p. 177. ISBN 978-1-8445-7319-6.
- ^ Page Module:Citation/CS1/styles.css has no content."The High Terrace". British Film Institute Collections Search. Retrieved 29 September 2024.
- ^ Page Module:Citation/CS1/styles.css has no content."The High Terrace (1956)". BFI. Archived from the original on 27 September 2016.
- ^ Page Module:Citation/CS1/styles.css has no content."High Terrace (1956) - Original Print Info - TCM.com". Turner Classic Movies. Archived from the original on 14 September 2016. Retrieved 2 September 2016.
- ^ Page Module:Citation/CS1/styles.css has no content."The High Terrace". The Monthly Film Bulletin. 23 (264): 130. 1 January 1956. Template:ProQuest.
- ^ Page Module:Citation/CS1/styles.css has no content."High Terrace". Kine Weekly. 473 (2560): 16. 6 September 1956. Template:ProQuest.
- ^ Page Module:Citation/CS1/styles.css has no content.Quinlan, David (1984). British Sound Films: The Studio Years 1928–1959. London: B.T. Batsford Ltd. p. 321. ISBN 0-7134-1874-5.
- ^ Page Module:Citation/CS1/styles.css has no content.Halliwell, Leslie (1989). Halliwell's Film Guide (7th ed.). London: Paladin. p. 467. ISBN 0586088946.
- ^ Page Module:Citation/CS1/styles.css has no content."High Terrace (1956) - Overview - TCM.com". Turner Classic Movies. Archived from the original on 14 September 2016.
