Memory play
Template:Short description A memory play is a play in which a lead character narrates the events of the play, which are drawn from the character's memory. The term was coined by playwright Tennessee Williams, describing his work The Glass Menagerie. In his production notes, Williams says, "Being a 'memory play', The Glass Menagerie can be presented with unusual freedom of convention."[1] In a widening of the definition, it has been argued that Harold Pinter's plays Old Times, No Man's Land and Betrayal are memory plays, where "memory becomes a weapon". Brian Friel's Dancing at Lughnasa is a late 20th-century example of the genre.
The Glass Menagerie
In the script, Williams describes the scene: Template:Quote In his first few lines Tom Wingfield declares: Template:Quote
The action of the play is loosely based on Williams' own memories. The narrator, Tom Wingfield, moves in and out of the action, directly addressing the audience at times. The other characters Amanda and Laura also revisit their own memories throughout.[2][3] Williams' plays A Streetcar Named Desire and Summer and Smoke are also referred to as memory plays.[4]
Other examples
Dharamveer Bharti wrote Suraj Ka Satvan Ghoda in 1952. It was adapted on screen by Shyam Benegal in 1992 as a film of the same name.
The 1970s works of Harold Pinter, including Landscape, Silence, A Kind of Alaska, Betrayal and Old Times have been described by Michael Billington and others as memory plays. Characters recite their own versions of past events and there is no clear indication of which, if any, is true.[5] In Friel's Dancing at Lughnasa, "a memory play focusing on the five unmarried Mundy sisters who struggle to maintain the family home ... The memory controlling the play's shape and substance belongs to Michael, the 'love child' of Chris, youngest of the sisters."[6][7] Critic Irving Wardle has argued that Friel invented the modern memory play, citing Philadelphia, Here I Come! and Faith Healer as examples.[8] The play, Da, by Hugh Leonard is another example of a memory play.[9]
The term has also been used to describe film, such as John Ford's The Man Who Shot Liberty Valance, described by Scott Eyman as containing "under-populated sets" and "archetypal characters".[10] In a 2007 essay entitled "Some Memory Plays Before the 'Memory Play'", academic and director Attilio Favorini identifies Ibsen, Strindberg, Pirandello and O'Neill as early 20th-century exponents of the memory play, arguing the influence of Freud and Jung on their work.[11]
References
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- ^ Williams, p xvi
- ^ Page Module:Citation/CS1/styles.css has no content.Jacobs, Daniel (December 2002). "Tennessee Williams: The Uses of Declarative Memory in the Glass Menagerie". Journal of the American Psychoanalytic Association. 50 (4): 1260–69. doi:10.1177/00030651020500040901. ISSN 0003-0651. PMID 12580330. S2CID 1411718.
- ^ Page Module:Citation/CS1/styles.css has no content.Shea, Rosemary (2011). Tennessee Williams' A Streetcar Named Desire. Insight Publications. p. 10. ISBN 978-1921088988.
- ^ Page Module:Citation/CS1/styles.css has no content.Smith, Harry W. (November 1982). "Tennessee Williams and Jo Mielziner: The Memory Plays" (PDF). Theatre Survey. 23 (2): 223. doi:10.1017/S0040557400008036. S2CID 162990477. Retrieved 16 August 2013.
- ^ Page Module:Citation/CS1/styles.css has no content.Billington, Michael. "Pinter: Passion, Poetry & Prose". European Theatre Prize. Retrieved 16 August 2013.
- ^ Page Module:Citation/CS1/styles.css has no content.Rollins, Ron (December 1993). "Friel's "Dancing at Lughnasa": Memory, Ritual and Two Messengers for the Gods". Canadian Journal of Irish Studies. 19 (2): 81–86. doi:10.2307/25512974. JSTOR 25512974.
- ^ Page Module:Citation/CS1/styles.css has no content.Murphy, Geoffrey (December 2008). "Rural Ireland Through the Lens of Memory". The Juilliard Journal.
- ^ Page Module:Citation/CS1/styles.css has no content.Wardle, Irving. "Brian Friel: Father Of The Modern Memory Play". Intelligent Life. Archived from the original on 2 December 2013. Retrieved 16 August 2013.
- ^ Owens, Cóilín. & Radner, Joan Newlon, editors. Irish Drama, 1900-1980. CUA Press, 1990. Template:ISBN page 630
- ^ Page Module:Citation/CS1/styles.css has no content.Eyman, Scott (1999). Print the Legend: The Life and Times of John Ford. Baltimore: Johns Hopkins University Press. p. 490. ISBN 0684811618.
- ^ Page Module:Citation/CS1/styles.css has no content.Favorini, Attilio (Fall 2007). "Some Memory Plays Before the 'Memory Play'". Journal of Dramatic Theory and Criticism. XXII (1): 29–52. ISSN 0888-3203. Retrieved 16 August 2013.
Bibliography
- Page Module:Citation/CS1/styles.css has no content.Williams, Tennessee (1945). The Glass Menagerie. Penguin. ISBN 978-0-141-19026-6.
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