Palampore
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A palampore or (Palempore)[1] is a type of hand-painted and mordant-dyed bed cover or hanging panel that was made in India for the export market during the eighteenth century and nineteenth century.[2]
Origins
Palampores were produced on the Coromandel Coast.[3] Palampore were recorded as being traded in Salem in the 18th Century.[4]
The term palampore may come from palangposh, a term for bedcover from Hindi "palang" (bed) and Persian "posh" (cover)[2][5] or from Palanpur, the northwest Indian trading town.[6]
Technique
Palampores were mordant-painted and resist-dyed.[7] A palampore was made using the kalamkari technique, whereby an artist drew designs on cotton or linen fabric with a kalam pen containing mordant and then dipped the textile in dye. The dye adhered to the cloth only where the mordant had been applied. This lengthy process had to be repeated for each color in the design. Small details were then painted by hand on the cloth after the dying process was completed.[8]
Analysis indicates that some palampores were produced using chay root dye to create colours in the red and brown range.[9][10]
Some palampores had embroidery of chain stitch worked in silk thread.[11]
Design
Palampore patterns were usually very complex and elaborate, depicting a wide variety of plants, flowers, and animals, including peacocks, elephants, and horses. Because a palampore was hand-created, each design is unique, but many featured a central flowering tree with a mound at the base where there may be animals.[12][13]
Design historians have noted the similarities between palampores and crewel embroidery and suggested that English trends may have influenced what East India Company directors commissioned in India.[7][14]
Palampore made for Persia and the Mughal courts were more likely to be more formal and symmetrical in design. They depicted architectural structures, shrubs and tent interiors.[15]
Use
Palampore was popular in the Mughal and Deccan Courts. The borders of these pieces were block printed while the centre depicted intricate designs, made by hand.[16]
Palampores were exported to Europe and to Dutch colonists in Indonesia and what was then called Ceylon (now known as Sri Lanka).[12][17][6][5]
Palampore were labour-intensive to produce, and the light fabric they were made from is fragile, therefore, the few examples that have survived are often quite valuable today.[6][18]
Impact
Palampores predated European production of printed-textiles and influenced innovations in chemicals and techniques used in Europe, and improvements in quality.[5][19][20]
In a domestic setting, American and European embroiderers cut around Indian printed cotton designs and attached them to quilts.[21]
English printers began to copy palampore designs using block printing methods with a large-scale repeat to create fabric that could be used for curtains or bedding.[21] In France, the Braquenié fabric house produced designs inspired by palampores from the 1800s.[22]
External links
References
Page Template:Reflist/styles.css has no content.
- ^ Page Module:Citation/CS1/styles.css has no content.Balfour, Edward (1885). The Cyclopædia of India and of Eastern and Southern Asia, Commercial Industrial, and Scientific: Products of the Mineral, Vegetable, and Animal Kingdoms, Useful Arts and Manufactures. Bernard Quaritch. p. 830.
- ^ a b Page Module:Citation/CS1/styles.css has no content."Palampore". The Metropolitan Museum of Art. Retrieved 17 July 2024.
- ^ Page Module:Citation/CS1/styles.css has no content.Bose, Melia Belli (6 February 2024). Threads of globalization: Fashion, textiles, and gender in Asia in the long twentieth century. Manchester University Press. ISBN 978-1-5261-6339-4.
- ^ Page Module:Citation/CS1/styles.css has no content.Reddy, Moola Atchi (8 September 2023). East India Company and Trade in South India: Madras, 1746–1803. Taylor & Francis. ISBN 978-1-000-93814-2.
- ^ a b c Page Module:Citation/CS1/styles.css has no content.Greco, JoAnn (February 2004). "Fragile Beauty". Art & Antiques. 27 (2) – via Art & Architecture Source.
- ^ a b c Page Module:Citation/CS1/styles.css has no content.Filler, Martin (April 2001). "Palampores". House Beautiful. Vol. 143.
- ^ a b Page Module:Citation/CS1/styles.css has no content.Baumgarten, Linda; Ivey, Kimberly Smith (28 October 2014). Four Centuries of Quilts: The Colonial Williamsburg Collection. Yale University Press. ISBN 978-0-300-20736-1.
- ^ Page Module:Citation/CS1/styles.css has no content.Gupta, Mira (2023). "Lessons in Chemistry". Selvedge (117) – via Art & Architecture Source.
- ^ Page Module:Citation/CS1/styles.css has no content.Houghteling, Sylvia; Shibayama, Nobuko (2019). "Tools of the Master Dyer: Dye Materials in Seventeenth and Eighteenth Century South Asian Painted Cotton Textiles at the Metropolitan Museum of Art". Textile Museum Journal. 46.
- ^ Page Module:Citation/CS1/styles.css has no content.Rosenfield, Yael; Shibayama, Nobuko (2020). "The Color Red: Madder Dyes as Determinants of Provenance in a Group of Kalamkari Textiles". Textile Museum Journal. 47.
- ^ Page Module:Citation/CS1/styles.css has no content.Parekh, Radhi (2023). "When Indian Flowers Bloomed in Distant Lands". Selvedge (112) – via Art & Architecture Source.
- ^ a b Page Module:Citation/CS1/styles.css has no content.Bogansky, Amy Elizabeth (2013). Interwoven Globe: The Worldwide Textile Trade, 1500-1800. Metropolitan Museum of Art. ISBN 978-1-58839-496-5.
- ^ Page Module:Citation/CS1/styles.css has no content.Barnes, Ruth; Cohen, Steven; Crill, Rosemary (2002). Trade, Temple & Court: Indian Textiles from the Tapi Collection. India Book House. ISBN 978-81-7508-354-7.
- ^ Page Module:Citation/CS1/styles.css has no content.Riello, Giorgio (2009), Riello, Giorgio; Roy, Tirthankar (eds.), "The Indian Apprenticeship: The Trade of Indian Textiles and the Making of European Cottons", How India Clothed the World, The World of South Asian Textiles, 1500-1850, Brill, pp. 309–346, ISBN 978-90-04-17653-9, JSTOR 10.1163/j.ctv2gjwskd.19, retrieved 17 July 2024
{{citation}}: CS1 maint: work parameter with ISBN (link) - ^ Page Module:Citation/CS1/styles.css has no content.Maxwell, Robyn (7 August 2012). Textiles of Southeast Asia: Trade, Tradition and Transformation. Tuttle Publishing. ISBN 978-1-4629-0698-7.
- ^ Page Module:Citation/CS1/styles.css has no content."Kalamkar (or Palampore) - Indian (Eighteenth Century)". Journal of the Royal Society of Arts. 58: 825–827. 29 July 1910.
- ^ Page Module:Citation/CS1/styles.css has no content.Laury, Elise Schebler Roberts, Helen Kelley, Sandra Dallas, Jennifer Chiaverini, Jean Ray. The Quilt. Voyageur Press. ISBN 978-1-61060-536-6.
{{cite book}}: CS1 maint: multiple names: authors list (link) - ^ Page Module:Citation/CS1/styles.css has no content.Pollard, Maura (September 1998). "Historic Bedcoverings in Brief". Colonial Homes. 24 (4).
- ^ Page Module:Citation/CS1/styles.css has no content.Raman, Alka (May 2022). "Indian cotton textiles and British industrialization: Evidence of comparative learning in the British cotton industry in the eighteenth and nineteenth centuries". Economic History Review. 75 (2) – via Business Source Complete.
- ^ Page Module:Citation/CS1/styles.css has no content.Riello, Giorgio (January 2014). "Cotton". History Today. Vol. 64, no. 1.
- ^ a b Page Module:Citation/CS1/styles.css has no content.Baumgarten, Linda (2017). "Made in India". Selvedge (76).
- ^ Page Module:Citation/CS1/styles.css has no content.Martin, Hannah (November 2019). "Tree of Life". Architectural Digest. 76 (10) – via Academic Search Complete.
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