Sarah Morris

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Sarah Morris (born 20 June 1967 in Sevenoaks, Kent, England) is an American and British artist.[1]Template:R/superscript[2]Template:R/superscript[3]Template:R/superscript[4]Template:R/superscript[a][5] She lives in New York City in the United States.[6]Template:R/superscript

Personal life and education

Morris was born in Sevenoaks, Kent, in south-east England, on 20 June 1967.[3]Template:R/superscript She attended Brown University from 1985 to 1989, Cambridge University,[7]Template:R/superscript and the Independent Study Program of the Whitney Museum of American Art in 1989–90.[3]Template:R/superscript She was a Berlin Prize fellow at the American Academy in Berlin in 1999–2000; in 2001 she received a Joan Mitchell Foundation painting award.[8] She was married to Liam Gillick.[7]Template:R/superscript

Work

Morris works in both painting and film, and considers the two to be interconnected.[9]

File:Vitasoy (Hong Kong) 207x152 cm.jpg
Vitasoy (Hong Kong) 207x152 cm

From about 1997 her paintings were geometric Modernist grid designs with flat planes of colour; a related series was of glass-faced skyscrapers with geometric landscape designs reflected in their façades. Among her earlier painting styles were screen-prints reminiscent of Andy Warhol, word-paintings, and paintings of shoes.[3]Template:R/superscript

File:Robert Towne Installation.jpg
Robert Towne, 2006. Lever House, Manhattan

Morris's films have been characterized as portraits that focus on the psychology of individuals or cities. Her films about cities, like Midtown, Chicago, Los Angeles, and Rio depict urban scenes, capturing the architecture, politics, industry and leisure which define a specific place.[10] Other films describe a place through the viewpoint of an individual, like psychologist Dr. George Sieber describing the terrorist event at the Olympic Stadium in Munich in the film 1972 or the industry politics of Hollywood from the viewpoint of screenwriter and producer in the eponymous film Robert Towne.[10][11]

Exhibitions

She has shown internationally, with solo exhibitions at Hamburger Bahnhof in Berlin (2001),[12] Palais de Tokyo in Paris (2005),[13] Fondation Beyeler in Basel (2008),[14] Museum für Moderne Kunst in Frankfurt (2009),[15]Template:R/superscript Museo d’Arte Moderna di Bologna (2009),[16] Musée National Fernand Léger in Biot (2012),[17] M Museum, Leuven, Belgium (2015),[18] Kunsthalle Wein, Vienna, Austria (2016),[19] Espoo Museum of Modern Art, Espoo, Finland (2017),[20] UCCA, Beijing, China (2018),[21] Tai Kwun Contemporary, Hong Kong (2024) [22]

Her mid-career retrospective titled "All Systems Fail" traveled to multiple cities and museums in 2023 and 2024 including: Deichtorhallen Hamburg, Germany [1], Kunstmuseen Krefeld, Germany [2], Zentrum Paul Klee, Bern, Switzerland [3] and Kunstmuseum Stuttgart, Germany [4].

She has created site-specific works for various institutions including the Lever House,[23] Kunsthalle Bremen in Germany,[24] Kunstsammlung Nordrhein-Westfalen Museum, Düsseldorf, Germany,[25] the lobby of UBS in New York City, the Gloucester Road tube station in London,[26] the Metropolitan Transportation Authority, Dutch Kills / 39th Ave Subway Station,[27] Ad-Diriyah Biennale in Riyadh, Saudi Arabia,[28] St. Louis Lambert International Airport,[29] General Dynamics Headquarters in Reston, Virginia, Tulsa Convention Center, Tulsa, Oklahoma,[30] Gateway School for Sciences, Queens, New York,[31] and Cleveland Clinic, Cleveland, Ohio,[32] Key Biscayne Community Center, Key Biscayne, Florida.[33]

Morris's films have been featured at the following:

Public collections

File:Kennedy Center (Capital).jpg
Kennedy Center (Capital) (2001), National Museum of Women in the Arts, Washington, D.C.

Filmography

  • Midtown (1998)[77]
  • AM/PM (1999)[77]
  • Capital (2000)[77]
  • Miami (2002)[77]
  • Los Angeles (2004)[77]
  • Robert Towne (2006)[77]
  • 1972 (2008)[77]
  • Beijing (2008)[78]
  • Points on a Line (2010)[79]
  • Chicago (2011)[80]
  • Rio (2012)[81]
  • Strange Magic (2014)[82]
  • Abu Dhabi (2016)[83]
  • Finite and Infinite Games (2017)[84]
  • Sakura (2019)
  • ETC (2024)[85]

Other activities

Origami lawsuit

In 2011 Morris was sued by a group of six origami artists, including American Robert J. Lang. They alleged that in 24 works (eventually discovered to be 33 or more) in her "Origami" series of paintings Morris had without permission or credit copied their original crease patterns, coloured them, and sold them as "found" or "traditional" designs. [87]Template:R/superscript The case was settled out of court early in 2013; under the terms of the settlement, the creators of the crease patterns are to be given credit when the works are displayed.[88]Template:R/superscript[89]Template:R/superscript

List of affected paintings/models
Painting title Year painted Square painting edge sizes Model title Model composer
Angel 2009 214 cm Harpy Jason Ku
Bat 2007 214 cm Bat Noboru Miyajima
Black Ant 2009 214 cm Harvestman (Phalangium) Manuel Sirgo
Calypte Anna 2007 214 cm Ruby-throated Hummingbird, opus 389 Robert J. Lang
2008 289 cm
Cat 2007 53.5 cm Cat Noboru Miyajima
214 cm
Chaser 2008 214 cm Dragonfly, opus 369 Robert J. Lang
Clerid Beetle 2009 214 cm Scorpion (Buthus) Manuel Sirgo
Crane 2008 214 cm Dancing Crane, opus 460 Robert J. Lang
Cuttlefish 2009 214 cm Sepia Manuel Sirgo
Dragon 2007 214 cm KNL Dragon, opus 132 Robert J. Lang
Falcon 2007 214 cm Cooper’s Hawk, opus 464 Robert J. Lang
2008 53.5 cm
Goatfish 2007 152.5 cm Goatfish, opus 202 Robert J. Lang
Grasshopper 2007 76.6 cm Grasshopper, opus 83 Robert J. Lang
289 cm
Hercules Beetle 2007 214 cm Hercules Beetle, opus 271 Robert J. Lang
June Beetle 2009 214 cm Cyclommatus metallifer Nicola Bandoni
Kawasaki Cube 2008 53.5 cm Kawasaki Cube #1 Toshikazu Kawasaki
53.5 cm
214 cm
2009 289 cm
Leaf Mantis 2009 214 cm Leaf Mantis Manuel Sirgo
Lion 2007 214 cm Lion Noboru Miyajima
Mommoth 2007 53.5 cm Mommoth Noboru Miyajima
214 cm
Mouse 2007 122 cm Rat, opus 159 Robert J. Lang
Night Hawk 2008 214 cm Stealth Fighter, opus 324 Robert J. Lang
Night Hunter 2007 214 cm Night Hunter, opus 469 Robert J. Lang
Orchis 2008 214 cm Orchid, opus 392 Robert J. Lang
Parrot 2009 214 cm Macaw Manuel Sirgo
Pegasus 2007 53.5 cm Pegasus, opus 325 Robert J. Lang
214 cm
Praying Mantis 2007 214 cm Praying Mantis, opus 246 Robert J. Lang
Rabbit 2007 122 cm Rabbit, opus 186 Robert J. Lang
Raccoon Dog 2007 122 cm Raccoon Dog Noboru Miyajima
Rhino Beetle 2008 214 cm Eupatorus gracilicornus, opus 476 Robert J. Lang
Rockhopper 2007 20.8 cm Penguin Noboru Miyajima
122 cm
2009 289 cm
Swan 2007 122 cm Swan Noboru Miyajima
214 cm
289 cm
2008 53.5 cm
Tarantula 2008 53.5 cm Tarantula Robert J. Lang
214 cm
Weasel 2007 76.6 cm Weasel Noboru Miyajima
214 cm
2008 122 cm
289 cm
Wolf 2007 289 cm Wolf Noboru Miyajima

Notes

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  1. ^ Sources are mixed in reporting her nationality[6]Template:R/superscript[87]Template:R/superscript; Grove Art says that she is "American ... of English birth".[3]Template:R/superscript

References

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  3. ^ a b c d e Francis Summers (2001–14). Morris, Sarah. Grove Art Online. Oxford Art Online. Oxford: Oxford University Press. Accessed May 2015. (subscription required)
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  7. ^ a b Gaby Wood (23 May 2004). "Cinéma vérité". The Observer. Accessed March 2014.
  8. ^ Werner Miester (27 March 2010). Best Works by Sarah Morris on View at Gallery Meyer Kainer. Art Knowledge News. Archived 30 March 2010.
  9. ^ Page Module:Citation/CS1/styles.css has no content.Holzwarth, Hans W. (2009). 100 Contemporary Artists A-Z (Taschen's 25th anniversary special ed.). Köln: Taschen. pp. 392–397. ISBN 978-3-8365-1490-3.
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  86. ^ Artists Committee Americans for the Arts.
  87. ^ a b Dalya Alberge (5 June 2011). Tate artist Sarah Morris 'unfolded' our works, claim leading origami designers. The Observer. Accessed March 2018.
  88. ^ Dan Duray (28 May 2013). Beneath the Fold: The Twisted Tale of Origami v. Sarah Morris. New York: Observer. Accessed March 2018.
  89. ^ Sarah Morris Works Attribution. Robert J. Lang origami. Accessed March 2018.

Further reading

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  • Modern Worlds, 1999 Template:ISBN
  • Capital, 2001 Template:ISBN
  • Sarah Morris: Bar Nothing, 2004 Template:ISBN
  • Los Angeles, 2005 Template:ISBN
  • 1972, 2008 Template:ISBN
  • Sarah Morris: Lesser Panda, 2008 Template:ISBN
  • Beijing, 2009 Template:ISBN
  • Sarah Morris: Clips, Knots, and 1972, 2010 Template:ISBN
  • You Cannot Trust A Surface, 2011 Template:ISBN
  • An Open System Meets an Open System: Sarah Morris and Hans Ulrich Obrist in Conversation, 2013 Template:ISBN
  • Sarah Morris: Bye Bye Brazil, 2013 Template:ISBN
  • Sarah Morris: Mechanical Ballet, 2014 Template:ISBN
  • Frédéric Paul, Page Module:Citation/CS1/styles.css has no content.Sarah Morris: Capital Letters Rear Better for Initials. S.l.: Verlag der Buchhandlung Walther Konig. 5 November 2015. ISBN 978-3-941360-46-4.
  • Page Module:Citation/CS1/styles.css has no content.Morris, Sarah (2015). Crease Folds. Sarah Morris (ed.). Ivorypress LiberArs. ISBN 978-84-942820-7-2.
  • Two Erasing Principles, 2016 Template:ISBN
  • Sarah Morris, 2018 Template:ISBN
  • Michael Archer. "Sarah Morris", Artforum, May 2009, p. 170
  • Nick Haymes, "Sarah Morris", Art Review, May 2009, pp. 70–7
  • Hans Ulrich Obrist, "Sarah Morris", Adam & Eve, March/April/May 2009, pp. 78–91
  • Eric Banks, "Seeing Red", Men's Vogue, August 2008, pp. 114–119
  • Adrian Searle, "Dazzled by the Rings", The Guardian, 30 July 2008
  • Christopher Turner, "Beijing City Symphony", Modern Painters, July/August 2008, pp. 56–59
  • Marcus Verhagen, "Nomadism", Art Monthly October 2006
  • Tanja Widmann, "To Offer You Something", Texte Zur Kunst, September 2006, pp. 248–251
  • Ezra Petronio and Stephanie Moisdon, "Bar Nothing by Sarah Morris", Self Service, Issue No.21, Fall/Winter 2004, pp. 302–315
  • Page Module:Citation/CS1/styles.css has no content.Grosenick, Uta; Riemschneider, Burkhard, eds. (2005). Art Now (25th anniversary ed.). Köln: Taschen. pp. 196–199. ISBN 9783822840931. OCLC 191239335.

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