Sigillography
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Sigillography, also known by its Greek-derived name, sphragistics, is the scholarly discipline that studies the wax, lead, clay, and other seals used to authenticate archival documents. It investigates not only aspects of the artistic design and production of seals (both matrices and impressions), but also considers the legal, administrative and social contexts in which they were used. It has links to diplomatics, heraldry, social history, and the history of art, and is regarded as one of the auxiliary sciences of history. A student of seals is known as a sigillographer.
Etymology
The word sigillography derives from the Latin word Script error: No such module "Lang"., meaning 'seal', and the Greek suffix Script error: No such module "Lang"., meaning 'description'. It was effectively coined in Italian (as Script error: No such module "Lang".) by Anton Stefano Cartari in 1682.[1] It entered English at a much later date: the earliest instances recorded by the Oxford English Dictionary date from 1879 (sigillography) and 1882 (sigillographer).[2] The alternative term, sphragistics, is derived from the Greek word Script error: No such module "Lang"., meaning 'seal': this word is first recorded in English in 1836.[3]
History
Antiquaries such as Thomas Elmham and John Rous began to record and to discuss the historic use of seals in the 15th century. In the 16th and 17th centuries the consideration of seals became a fairly widespread antiquarian activity. Notable early students and collectors included Robert Glover, John Dee, Sir Robert Cotton and Nicolas-Claude de Peiresc.[4][5][6][7]
The first published treatises dedicated to seals included Giorgio Longo's Script error: No such module "Lang". (Milan, 1615); Olivier de Wree's Script error: No such module "Lang". (Bruges, 1639); and Theodorus Hoepingk's Script error: No such module "Lang". (Nuremberg, 1642). Especially influential in shaping the discipline were Jean Mabillon's Script error: No such module "Lang". (1681) and Johann Michael Heineccius' Script error: No such module "Lang". (1710). In England, John Anstis compiled a substantial study titled "Aspilogia", but this remained in manuscript: the first work to reach print was a much slighter tract by John Lewis, Dissertation on the Antiquity and Use of Seals in England (1740).[8][9] In the second half of the 19th century sigillography was further developed by German scholars including Hermann Grotefend and Otto Posse, and French scholars including Louis Douët d'Arcq and Germain Demay.
Sigillography is also an important subdiscipline of Byzantine studies, involving the study of Byzantine lead seal impressions and the text and images thereon. Its importance derives from both the scarcity of surviving Byzantine documents themselves, and from the large number (over 40,000) of extant seals.[10] One of the largest compendiums of Byzantine seals can be found in the large volume by Gustave Schlumberger, Script error: No such module "Lang"., published in 1904.[11]
The first international colloquium on Byzantine sigillography was held at Dumbarton Oaks in August 1986.[12]
Popular culture
Sigillography features in the plot of King Ottokar's Sceptre (1939/1947), one of The Adventures of Tintin. Tintin accompanies Professor Alembick, a sigillographer, on a research trip to the fictional Balkan nation of Syldavia, only to become embroiled in a plot to dethrone the King.
See also
References
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- ^ Page Module:Citation/CS1/styles.css has no content.Sandri, Leopoldo (1955). "La 'Sigillografia Universale' di Anton Stefano Cartari: contributo agli studi di sigillografia nel sec. XVII". Rassegna degli Archivi di Stato. 15: 141–88.
- ^ Script error: No such module "template wrapper". (Subscription or participating institution membership required.)
- ^ Script error: No such module "template wrapper". (Subscription or participating institution membership required.)
- ^ Page Module:Citation/CS1/styles.css has no content.Harris, Oliver D. (2019). "Fragments of the past: the early antiquarian perception and study of seals in England". In Whatley, Laura (ed.). A Companion to Seals in the Middle Ages. Leiden: Brill. pp. 129–54. ISBN 978-90-04-38064-6.
- ^ Page Module:Citation/CS1/styles.css has no content.Harvey, P. D. A.; McGuinness, Andrew (1996). A Guide to British Medieval Seals. London: British Library and Public Record Office. pp. 22–26. ISBN 0-7123-0410-X.
- ^ Page Module:Citation/CS1/styles.css has no content.New, Elizabeth (2010). Seals and Sealing Practices. Archives and the User. Vol. 11. London: British Records Association. pp. 29–32. ISBN 978-0-900222-15-3.
- ^ Page Module:Citation/CS1/styles.css has no content.Bascapé, Giacomo C. (1969). "Storia della sigillografia". In Bascapé, Giacomo C.; Welber, Mariano (eds.). Sigillografia: il sigillo nella diplomatica, nel diritto, nella storia, nell'arte. Vol. 1. (Milan: Antonino Giuffré. pp. 35–51.
- ^ Harvey and McGuinness 1996, pp. 24–25.
- ^ Harris 2019, p. 148.
- ^ Page Module:Citation/CS1/styles.css has no content.Kazhdan, Alexander, ed. (1991). Oxford Dictionary of Byzantium. Oxford University Press. pp. 1894–1895. ISBN 978-0-19-504652-6.
- ^ Page Module:Citation/CS1/styles.css has no content.Schlumberger, Gustave, ed. (1904). Sigillographie de l'empire Byzantin. Ernest Leroux.
- ^ Oikonomidès Nicolas, Dumbarton Oaks International Colloquium on Byzantine Sigillography and International Congress of Byzantine Studies. 1987. Studies in Byzantine Sigillography. Washington D.C: Dumbarton Oaks Research Library and Collection.
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