State of the World Address

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State of the World Address is the third studio album by American band Biohazard, released on May 24, 1994, by Warner Bros. Records. Sen Dog has a guest performance on the song "How It Is". Until 2012's Reborn in Defiance, this would be the final album to feature guitarist Bobby Hambel, who would leave the band after touring due to musical differences.

"Lack There Of" [sic] contains audio samples taken from the Quentin Tarantino film Reservoir Dogs.

Marketing

Billboard magazine detailed a long-term marketing strategy developed and executed by Warner Bros. for Biohazard's breakout from the underground into mainstream culture, as marked by the highly anticipated State of the World Address. The magazine quoted the great exuberance expressed by several retail outlet representatives and by the Warner Bros. label, about the band as a new "legitimate commercial force".[1]

The label included its alternative marketing department in deploying many "low-key" tactics of marketing directly to retail stores without the "perception of hype", to raise the industry's general awareness of the band's existence and message. The label created a censored version of the album for radio stations, and an electronic press kit detailing the music's social issues was distributed to retailers. A 1980 Chevy Malibu emblazoned with the Biohazard logo was driven around Southern California, with label representatives passing out materials to cross-market the band with various social justice organizations.[1]

The band appeared on Beavis and Butt-Head, and the album's development was detailed for three weeks on MTV's Headbangers Ball. There were two contests to discover fans who bore the best Biohazard tattoos. The album was marketed to alternative radio stations in addition to metal stations.[1]

Background

Several tracks for State of the World Address were developed from ideas dating back to the Urban Discipline sessions. Billy Graziadei has stated that an early version of "Five Blocks to the Subway" was originally recorded for Urban Discipline but held back, as the band did not feel it was ready for release at the time. The song was reworked and appeared on State of the World Address.[2]

Reception

Critical

Professional ratings
Review scores
SourceRating
AllMusicStarStarStarFile:Star empty.svgFile:Star empty.svg[3]
Collector's Guide to Heavy Metal7/10[4]
The Encyclopedia of Popular MusicStarStarStarFile:Star empty.svgFile:Star empty.svg[5]
Entertainment WeeklyB+[6]
Kerrang!StarStarStarStarFile:Star empty.svg[7]
Rock Hard8.5/10[8]
SelectStarStarStarFile:Star empty.svgFile:Star empty.svg[9]
Vox6/10[10]

Entertainment Weekly gave the album a B+, saying that with this album, the band is "redefining metal not only by writing what amount to modern-day protest songs, but also by creating thrash that grooves rather than lumbers" and concluding that "metal rarely gets as fierce or as forward-thinking as it does here".[6]

In 2016, Metal Hammer placed the album on its list of the top 10 rap metal albums. The review says the album "brought tough street-metal grit to bear upon flagrant boom-bap grooves", summarizing with this: "Rap-metal by default rather than design, it was a natural and neat fit for a band that deserves more credit for their pioneering nous."[11]

Sales

Billboard 200 recognized this as the first Biohazard album to enter its chart, at number 48 in the first week and number 88 in the second week. Sales of 22,000 units were reported in the first week.[1] It also sold an additional 160,000 copies outside the US in its first week, primarily in Germany.[12]

Track listing

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  • Track 14 contains a hidden track, an a cappella titled "Ink", professing the band's love of tattoo art. "Love Denied" ends at 4:40, with the hidden track beginning at 4:54.

Personnel

Charts

Chart (1994) Peak
position
US Billboard 200 48
Australian Albums (ARIA Charts)[13] 67
Austrian Albums Chart 10
Dutch Albums Chart 35
German Albums Chart 7
Swedish Albums Chart 12
Swiss Albums Chart 19
UK Albums Chart 72

References

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  1. ^ a b c d Page Module:Citation/CS1/styles.css has no content.Borzillo, Carrie (June 18, 1994). "Biohazard Seems Less Hazardous to Mainstream". Billboard. p. 1. Retrieved September 21, 2018.
  2. ^ Page Module:Citation/CS1/styles.css has no content.Graziadei, Billy (March 23, 2022). "BillyBio Continues the Legacy of Biohazard on "Leaders and Liars"". Invisible Oranges. Retrieved August 17, 2025.
  3. ^ Page Module:Citation/CS1/styles.css has no content."State of the World Address". AllMusic. AllMusic, member of the RhythmOne group. Retrieved September 27, 2017.
  4. ^ Page Module:Citation/CS1/styles.css has no content.Popoff, Martin (2007). The Collector's Guide to Heavy Metal: Volume 3: The Nineties. Burlington, Ontario, Canada: Collector's Guide Publishing. pp. 46–47. ISBN 978-1-894959-62-9.
  5. ^ Page Module:Citation/CS1/styles.css has no content.Larkin, Colin, ed. (1998). "Biohazard". The Encyclopedia of Popular Music. Vol. 1. MUZE Inc. pp. 541–542. ISBN 0-333-74134-X.
  6. ^ a b Page Module:Citation/CS1/styles.css has no content.Browne, David (May 27, 1994). "State of the World Address". Entertainment Weekly. Retrieved September 21, 2018.
  7. ^ Page Module:Citation/CS1/styles.css has no content.Arnopp, Jason (May 21, 1994). "Rekordz". Kerrang!. No. 492. EMAP. p. 44.
  8. ^ Page Module:Citation/CS1/styles.css has no content.Jaedike, Jan (April 28, 1994). "State Of The World Address". Rock Hard (Vol. 84) (in Deutsch). Retrieved January 9, 2024. (subscription required)
  9. ^ Page Module:Citation/CS1/styles.css has no content.Collis, Clark (June 1994). "Soundbites". Select. EMAP. p. 85.
  10. ^ Page Module:Citation/CS1/styles.css has no content.Russel, Graham (July 1994). "Reviews: Rock". Vox. No. 46. IPC. p. 102. ISSN 0960-300X.
  11. ^ Page Module:Citation/CS1/styles.css has no content.Lawson, Dom (October 26, 2016). "The 10 Essential Rap Metal Albums". Metal Hammer. Retrieved September 21, 2018.
  12. ^ Page Module:Citation/CS1/styles.css has no content.Billboard. Nielsen Business Media, Inc. June 25, 1994.
  13. ^ Page Module:Citation/CS1/styles.css has no content.Ryan, Gavin (2011). Australia's Music Charts 1988–2010 (pdf ed.). Mt. Martha, VIC, Australia: Moonlight Publishing. p. 30.

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