Sugar Colt
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| Sugar Colt | |
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| Directed by | Franco GiraldiLua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.[1]Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.[2] |
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| Cinematography | Alejandro UlloaLua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. |
| Edited by | Ruggero Mastroianni |
| Music by | Luis Bacalov Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found. |
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Running time | 106 min |
| Template:Pluralize from text | Italy Spain |
| Template:Pluralize from text | English |
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Sugar Colt is a 1966 Italian and Spanish spaghetti Western directed by Franco Giraldi and starring Jack Betts. It is the Giraldi's second film after Seven Guns for the MacGregors. The film represents the cinematographical debut for Jack Betts, here credited as Hunt Powers, and it is also Erno Crisa's last film.[3]
Plot
Rocco – also called the man with two faces – is visited by Pinkerton, who wants him to investigate the disappearance and possible kidnapping of some soldiers. Rocco declines, as he has a good life teaching women self-defence. When Pinkerton is assassinated, Rocco changes his mind and goes to Snake Valley disguised as a doctor. He uses a narcotic gas to loosen tongues and gets help from a sidekick and two women at the saloon. He is exposed and heavily beaten, but eventually frees the hostages while the big boss, who is responsible, gets killed.
Cast
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Production
Thr film was shot in Tabernas, in the town of El Fraile, in Los Arcos and in Almería.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.
Reception
Sugar Colt was generally well received by critics, and Tullio Kezich defined it as a "little masterpiece".[3] Over 40 years after it was made, Sugar Colt was screened at the 2007 Venice Film Festival in a Spaghetti Western retrospective. Director Franco Giraldi and star Jack Betts were in attendance.
In his investigation of narrative structures in Spaghetti Western films, Fridlund ranges Sugar Colt among Spaghetti Westerns heavily influenced by secret-agent films, because the hero is shown in company with beautiful women, works to uncover a mystery and - unlike the protagonists in A Fistful of Dollars and Django - does not have any complicating secondary motive.Lua error in package.lua at line 80: module 'Module:Footnotes/anchor_id_list' not found.
References
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- ^ Page Module:Citation/CS1/styles.css has no content.Checa Godoy, Antonio (2005). "Almería y el Spaghetti-western". Las coproducciones hispano-italianas: una panorámica (pan, amor y cine) (in español). Editorial Padilla Libros. p. 47. ISBN 9788484343363.
- ^ Page Module:Citation/CS1/styles.css has no content.Caparrós Lera, José María (2005). "2002". La Pantalla Popular (in español). Ediciones Akal. p. 197. ISBN 9788446024149.
- ^ a b Page Module:Citation/CS1/styles.css has no content.Giusti, Marco (2007). Dizionario del western all'italiana (in italiano). Oscar Mondadori. p. 546. ISBN 978-88-04-57277-0.
Bibliography
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- Page Module:Citation/CS1/styles.css has no content.Fridlund, Bert (2006). The Spaghetti Western: A Thematic Analysis. McFarland & Company. ISBN 9780786425075.
- Page Module:Citation/CS1/styles.css has no content.Núñez Marqués, Anselmo (2006). Western a la europea...: un plato que se sirve frío (in español). Entrelineas Editores. ISBN 9788498024326.
- Page Module:Citation/CS1/styles.css has no content.Weisser, Thomas (2005). Spaghetti Westerns--the Good, the Bad and the Violent: A Comprehensive, Illustrated Filmography of 558 Eurowesterns and Their Personnel, 1961-1977. McFarland & Company. ISBN 9780786424429.
