Hag

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File:11 The Hag of the Mill was a bony, thin pole of a hag with odd feet.jpg
1920 Arthur Rackham illustration for the Irish fairytale The Hag of the Mill. "Now the Hag of the Mill was a bony, thin pole of a hag with odd feet."

A hag is a wizened old woman, or a kind of fairy, witch,[1][2] or goddess having the appearance of such a woman, often found in folklore and children's tales such as "Hansel and Gretel".[3] Hags are often seen as malevolent, but may also be one of the chosen forms of shapeshifting deities, such as The Morrígan or Script error: No such module "Lang"., who are seen as neither wholly benevolent nor malevolent.[4][5] The word hag can also be synonymous for a witch.[1][2][6]

Etymology

The term appears in Middle English, and was a shortening of Script error: No such module "Lang"., an Old English term for 'witch'; similarly the Dutch Script error: No such module "Lang". and German Script error: No such module "Lang". are also shortenings, of the Middle Dutch Script error: No such module "Lang". and Old High German Script error: No such module "Lang"., respectively.[7] All of these words are derived from the Proto-Germanic **hagatusjon-[7] which is of unknown origin; the first element may be related to the word hedge.[7][8]

As a stock character in fairy or folk tale, the hag shares characteristics with the crone, and the two words are sometimes used as if interchangeable.[citation needed]

Using the word hag to translate terms found in non-English (or non-modern English) is contentious, since use of the word is sometimes associated with misogyny.[9][10][<span title="Script error: No such module "decodeEncode".">clarification needed]

In folklore

A "Night Hag" or "the Old Hag", was a nightmare spirit in English and anglophone North American folklore. This variety of hag is essentially identical to the Old English mæra—a being with roots in ancient Germanic superstition, and closely related to the Scandinavian mara. According to folklore, the Old Hag sat on a sleeper's chest and sent nightmares to him or her. When the subject awoke, he or she would be unable to breathe or even move for a short period of time. In the Swedish film Marianne (2011), the main character suffers from such nightmares. This state is now called sleep paralysis, but in the old belief, the subject was considered "hagridden".[11] It is still frequently discussed as if it were a paranormal state.[12]

Many stories about hags seem to have been used to frighten children into being good. In Northern England, for example, Peg Powler was a river hag who lived in the River Tees and had skin the colour of green pond scum.[13][14][15] Parents who wanted to keep their children away from the river's edge told them that if they got too close to the water, she would pull them in with her long arms, drown them, and sometimes eat them. This type of nixie or neck has other regional names, such as Grindylow[16] (a name connected to Grendel),[16][17] Jenny Greenteeth from Yorkshire, and Nelly Longarms from several English counties.[18]

Many tales about hags do not describe them well enough to distinguish between an old woman who knows magic, or a witch or supernatural being.[19]

In Slavic folklore, Baba Yaga was a hag who lived in the woods in a house on chicken's legs. She would often ride through the forest on a mortar, sweeping away her tracks with a broom.[20] Though she is usually a single being, in some folktales three Baba Yagas are depicted as helping the hero in his quest, either by giving advice or by giving gifts.[21]

In Irish and Scottish mythology, the cailleach is a hag goddess concerned with creation, harvest, the weather, and sovereignty.[5][22] In partnership with the goddess Brígid, she is a seasonal goddess, seen as ruling the winter months while Brígid rules the summer.[22] In Scotland, a group of hags, known as The Cailleachan (The Storm Hags) are seen as personifications of the elemental powers of nature, especially in a destructive aspect. They are said to be particularly active in raising the windstorms of spring, during the period known as A Chailleach.[22][23]

Hags as sovereignty figures abound in Irish mythology. The most common pattern is that the hag represents the barren land, whom the hero of the tale must approach without fear, and come to love on her own terms. When the hero displays this courage, love, and acceptance of her hideous side, the sovereignty hag then reveals that she is also a young and beautiful goddess.[5]

In ancient Greek religion, the Three Fates (particularly Script error: No such module "Lang".) are often depicted as hags.

In Western literature

Script error: No such module "labelled list hatnote". In mediaeval and later literature, the term hag, and its relatives in European languages, came to stand for an unattractive, older woman. Building on the mediaeval tradition of such women as portrayed in comic and burlesque literature, specifically in the Italian Renaissance, the hag represented the opposite of the lovely lady familiar from the poetry of Petrarch.[24]

In The Heroes or Greek Fairy Tales For My Children, Charles Kingsley characterized Scylla as "Scylla the sea hag".[25]

See also

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References

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  1. ^ a b Page Module:Citation/CS1/styles.css has no content."Definition of HAG". www.merriam-webster.com. Retrieved 10 October 2024.
  2. ^ a b Page Module:Citation/CS1/styles.css has no content."Dictionary.com | Meanings & Definitions of English Words". Dictionary.com. Retrieved 10 October 2024.
  3. ^ Briggs, Katharine. (1976) An Encyclopedia of Fairies, Hobgoblins, Brownies, Boogies, and Other Supernatural Creatures, "Hags", p.216. Template:ISBN
  4. ^ Lysaght, Patricia. (1986) The Banshee: The Irish Death Messenger. Roberts Rinehart Publishers. Template:ISBN. p.54
  5. ^ a b c Clark, Rosalind. (1991) The Great Queens: Irish Goddesses from the Morrígan to Cathleen Ní Houlihan (Irish Literary Studies, Book 34) Savage, Maryland, Barnes and Noble (reprint) pp.5, 8, 17, 25
  6. ^ Page Module:Citation/CS1/styles.css has no content."Thesaurus.com - The world's favorite online thesaurus!". Thesaurus.com. Retrieved 10 October 2024.
  7. ^ a b c Page Module:Citation/CS1/styles.css has no content."Hag | Origin and meaning of hag by Online Etymology Dictionary".
  8. ^ hag1 Script error: No such module "webarchive". The American Heritage Dictionary of the English Language, Fourth Edition (2000)
  9. ^ Page Module:Citation/CS1/styles.css has no content.Rich, Adrienne (4 February 1979). "That Women Be Themselves; Women". The New York Times. pp. BR.3.
  10. ^ Page Module:Citation/CS1/styles.css has no content."Feminist storyteller reprises 'These Are My Sisters'". Star Tribune. 7 July 1996.
  11. ^ Ernsting, Michele (2004) "Hags and nightmares: sleep paralysis and the midnight terrors" Radio Netherlands
  12. ^ The "Old Hag" Syndrome Script error: No such module "webarchive". from About: Paranormal Phenomena
  13. ^ Ghosts, Helpful and Harmful by Elliott O'Donnell
  14. ^ Introduction to Folklore by Marian Roalfe Cox
  15. ^ The History and Antiquities of the Parish of Darlington, in the Bishoprick by William Hylton Dyer Longstaffe, 1854
  16. ^ a b The Nineteenth century and after, Volume 68, Leonard Scott Pub. Co., 1910. Page. 556
  17. ^ A Grammar of the Dialect of Oldham by Karl Georg Schilling, 1906. Page. 17.
  18. ^ Froud, Brian and Lee, Alan. (1978) Faeries. New York, Peacock Press Template:ISBN
  19. ^ K. M. Briggs, The Fairies in English Tradition and Literature, p 66-7 University of Chicago Press, London, 1967
  20. ^ Russian Folk-Tales W. R. S. Ralston, Forgotten Books, Template:ISBN, Template:ISBN. p.170
  21. ^ W. R. S. Ralston. Songs of the Russian People Section III—Storyland Beings.
  22. ^ a b c Page Module:Citation/CS1/styles.css has no content.McNeill, F. Marian (1959). The Silver Boughv. Vol. 2: A Calendar of Scottish National Festivals, Candlemas to Harvest Home. Glasgow: William MacLellan. pp. 20–21. ISBN 978-0-85335-162-7. {{cite book}}: ISBN / Date incompatibility (help)
  23. ^ Page Module:Citation/CS1/styles.css has no content.McNeill, F. Marian (1959). The Silver Bough. Vol. 1: Scottish Folklore and Folk-Belief. Glasgow: William MacLellan. p. 119. ISBN 978-0-85335-161-0. {{cite book}}: ISBN / Date incompatibility (help)
  24. ^ Page Module:Citation/CS1/styles.css has no content.Bettella, Patrizia (2005). The ugly woman: transgressive aesthetic models in Italian poetry from the Middle Ages to the Baroque. U of Toronto P. pp. 117–20. ISBN 978-0-8020-3926-2.
  25. ^ Page Module:Citation/CS1/styles.css has no content.Kingsley, Charles (1917). The Heroes or Greek Fairy Tales For my Children. Ginn and Company. pp. 148.

Further reading

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