Stelarc

From Wikipedia, the free encyclopedia

Template:Short description Template:DMCA Script error: No such module "Template wrapper".Script error: No such module "Check for conflicting parameters". Stelarc (born Stelios Arcadiou (Template:Langx) in 1946; legally changed his name in 1972) is a Cyprus-born Australian performance artist raised in the Melbourne suburb of Sunshine,[1] whose works focus heavily on extending the capabilities of the human body. As such, most of his pieces are centred on his concept that "the human body is obsolete". Until 2007 he held the position of principal research fellow in the Performance Arts Digital Research Unit at Nottingham Trent University in Nottingham, England. He is currently furthering his research at Curtin University in Western Australia.

Performances

File:Stelarc ArsElectronica97.jpg
Parasite: Event for Invaded and Involuntary Body, at the 1997 Ars Electronica Festival
File:Stelarc conference Montréal (5103983046).jpg
Stelarc at the Concordia University, Canada, in 2010

Stelarc's idiosyncratic performances often involve robotics or other relatively modern technology integrated with his body. In 26 different performances he has suspended himself in flesh hook suspension, often with one of his robotic inventions integrated. His last suspension performance was held in Melbourne in March 2012.

In another performance he allowed his body to be controlled remotely by electronic muscle stimulators connected to the internet. He has also performed with a robotic third arm, and a pneumatic spider-like six-legged walking machine which sits the user in the centre of the legs and allows them to control the machine through arm gestures.

In 2020, a work by Stelarc entitled Reclining Stickman, a robot sculpture operated by the artist, featured in the Adelaide Biennial of Australian Art at the Art Gallery of South Australia (AGSA).[2][3] However, AGSA had to temporarily close from 25 March 2020 owing to the COVID-19 pandemic in Australia, so some of the exhibits are being shown online, along with virtual tours of the exhibition. Stelarc performed with his sculpture in real time, as well as making the videorecording available.[4]

Third ear

In 2007, Stelarc had a cell-cultivated ear surgically attached to his left arm.[5] His longtime collaborator, fellow Australian artist Nina Sellars, photographed this body modification for her piece Oblique: Images from Stelarc's Extra Ear Surgery. Pieces by both artists were included in a group exhibition that received an exhibition review in scientific journal BMJ.[6]

Works

In 2005, MIT Press published Stelarc: The Monograph which is the first extensive study of Stelarc's prolific work. It includes images of performances and interviews with several writers including William Gibson, who recount their meetings with Stelarc.[7] In 2016 book on Robots and Art [8] Stelarc reflected on his own work in a chapter titled "Encounters, Anecdotes and Insights—Prosthetics, Robotics and Art".

Awards and honors

See also

References

Page Template:Reflist/styles.css has no content.

  1. ^ Page Module:Citation/CS1/styles.css has no content."In defence of Sunshine: Surprising facts you may not know about Melbourne's sunny suburb". Herald Sun. 6 March 2014. Retrieved 6 March 2014.
  2. ^ Page Module:Citation/CS1/styles.css has no content.Keen, Suzie (6 September 2019). "Monster 2020 Adelaide Biennial set to create a buzz". InDaily. Retrieved 6 September 2019.
  3. ^ Page Module:Citation/CS1/styles.css has no content.Marsh, Walter (6 September 2019). "Monster Theatres: 2020 Adelaide Biennial artists revealed". The Adelaide Review. Retrieved 7 September 2019.
  4. ^ Page Module:Citation/CS1/styles.css has no content."AGSA temporarily closes its doors to the public alongside SA cultural institutions". AGSA - The Art Gallery of South Australia. 28 February 2020. Retrieved 4 April 2020.
  5. ^ "Performer gets third ear for art" BBC News. 11 October 2007
  6. ^ Page Module:Citation/CS1/styles.css has no content.Carter, S. (10 August 2011). "The emergence of art-science". BMJ. 343 (aug10 3) d5133. doi:10.1136/bmj.d5133. S2CID 59092528.
  7. ^ Smith, Marquard and Clarke, Julie Joy (2005) Stelarc: The Monograph. MIT Press. Template:ISBN
  8. ^ Herath, D. and Kroos, C., 2016. Robots and Art: Exploring an Unlikely Symbiosis. Springer. Template:ISBN
  9. ^ Page Module:Citation/CS1/styles.css has no content.Paris, Helen (27 May 2004). Guerilla Guide to Performance Art: How to Make a Living as an Artist. Continuum International Pub. Group. ISBN 978-0-8264-7398-1. OCLC 697643312.
  10. ^ Page Module:Citation/CS1/styles.css has no content."Stelarc - SensiLab: Excess & Indifference: Alternate Anatomical Architecture". 27 March 2019. Retrieved 18 April 2020.
  11. ^ Page Module:Citation/CS1/styles.css has no content."Prosthetic Head | InterAccess". interaccess.org. 20 March 2003. Retrieved 18 April 2020.
  12. ^ GOLDEN NICAS & GRANT 2010 Script error: No such module "webarchive". Ars Electronica
  13. ^ Page Module:Citation/CS1/styles.css has no content."Fellow Profile: Stelarc". Australian Academy of the Humanities. Retrieved 27 November 2024.

Further reading

Page Module:Side box/styles.css has no content.Page Template:Sister project/styles.css has no content.

Template:DMCA

Lua error in package.lua at line 80: module 'Module:Navbox/configuration' not found. Lua error in package.lua at line 80: module 'Module:Authority control/config' not found.